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Chaucer and Pagan Antiquity

understanding of the texts. Chaucer's two great pagan poems, Troilus and Criseyde and The Knight's Tale, belong to the literary genre known as the;

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Antiquity in Antiquity

, reconstituted and put to use by Jews, Christians and their pagan neighbours in late antiquity, from the third century B.C.E. to the seventh century C.E.;

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Atheism in pagan antiquity

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Atheism in Pagan Antiquity

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Aesthetic Themes In Pagan

of his time. Aesthetic Themes in Pagan and Christian Neoplatonism reconstructs the aesthetic philosophical views of Late Antiquity, and their;

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Godless Paganism

in nature spirituality and polytheism, and identified with the misunderstood and persecuted pagans of antiquity. While many Pagans today believe;

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Chaucer's Prayers

-overlooked pious writings and in his ambitious, innovative pagan narratives, the I of prayer provides readers with a subject-position thatcan be at;

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Pagan and Christian in an Age of Anxiety

Interest in the world of Late Antiquity is currently undergoing a significant revival, and in this provocative book, now reissued;

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Pagan Monotheism In Late Antiquity

historians, address a central problem which lies at the heart of the religious and philosophical debate of late antiquity. Paganism was not a unified;

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Comedy in Chaucer and Boccaccio

A comparison of Chaucer and Boccaccio sheds new light on both writers, indicating their mutual use of ancient comic literary traditions;

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Die Unartikulierbaren Begriffe Des Neuplatonikers Damaskios

Damascius (c. 462 - after 538) was the last of the heads of the Platonic Academy, and the last systematic thinker of pagan antiquity. His;

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One God

acclamations of 'one god' and the worship of theos hypsistos, the highest god, have sometimes been interpreted as evidence for pagan monotheism. This;

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One God

acclamations of 'one god' and the worship of theos hypsistos, the highest god, have sometimes been interpreted as evidence for pagan monotheism. This;

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Inscribing Faith in Late Antiquity

Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean;

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Inscribing Faith in Late Antiquity

Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean;

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The Myth of Paganism

Traditional and still prevalent accounts of late antique literature draw a clear distinction between 'pagan' and 'Christian' forms;

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The Cambridge Introduction to Chaucer

Geoffrey Chaucer is the best-known and most widely read of all medieval British writers, famous for his scurrilous humour and biting satire;

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Between Pagan and Christian

For the early Christians, pagan referred to a multitude of unbelievers: Greek and Roman devotees of the Olympian gods, and barbarians;

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Secret Societies

nearly all the pagan nations of antiquity. This fact, however is neither proof of their utility nor of their harmlessness. Slavery, despotism;

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Secret Societies

nearly all the pagan nations of antiquity. This fact, however is neither proof of their utility nor of their harmlessness. Slavery, despotism;

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Subversive Virtue

ignored earlier manifestations of asceticism in Antiquity and the way Roman society confronted it. Accordingly, James Francis turns to the second;

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Studies in the Age of Chaucer

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his;

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Studies in the Age of Chaucer

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his;

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Studies in the Age of Chaucer

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his;

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Christianity, Empire, and the Making of Religion in Late Antiquity

In Christianity, Empire, and the Making of Religion in Late Antiquity, Jeremy M. Schott examines the ways in which conflicts between;

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India in the Italian Renaissance

of classical antiquity, responded to the challenge of this contemporary pagan world. Meera Juncu draws from a wide-ranging selection;

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India in the Italian Renaissance

of classical antiquity, responded to the challenge of this contemporary pagan world. Meera Juncu draws from a wide-ranging selection;

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