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Comedy in Chaucer and Boccaccio

A comparison of Chaucer and Boccaccio sheds new light on both writers, indicating their mutual use of ancient comic literary traditions;

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Chaucer's Italian Tradition

material he did appropriate. To make sense of premises in texts like Dante's Comedy that were peculiarly Italian, Chaucer would look to Boccaccio;

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Chaucer and the Early Writings of Boccaccio

for himself as an illustrious vernacular author. Chaucer recognised that both the Filostrato and Teseida derived their basic narrative;

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The Myths of Love

works of Boccaccio, Machaut, Froissart, and Chaucer. Using evidence from the Latin mythographers, it addresses several much-debated critical;

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The Erotics Of Consolation

consolation by French, English, Italian and German authors, including Dante, Petrarch, Boccaccio, Machaut, Chaucer, Wyatt and Queen Elizabeth I.;

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The Flight from Desire

nature and claims of erotic attachments in Abelard and Heloise, Marie de France, Jean de Meun, Dante, Boccaccio, and Chaucer - writers profoundly;

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Chaucer`s Decameron and the Origin of the Canterbury Tales

A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the Shipman's;

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Chaucer And The Imaginary World Of Fame

contemporaries, and shows that it is a central theme not only in Dante's Divine Comedy but also in the work of Boccaccio and Petrarch. The second half;

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The Banquet (Il Convito) (Dodo Press)

called "Commedia" and later called "Divina" by Boccaccio hence "Divina Commedia" or the Divine Comedy), is considered the greatest literary work;

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Dream Visions and Other Poems (NCE)

of spellings has been adopted. No prior knowledge of Chaucer is assumed. Contexts connects the poems to their classical and medieval foundations;

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Boccaccio's Corpus

writings. Scholars have observed that Boccaccio distinguished himself from Dante and Petrarch by writing about women, erotic acts, and the;

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The Cambridge Companion to Chaucer

new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new;

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The Cambridge Companion to Chaucer

new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new;

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Giovanni Boccaccio

of the text particularly on Chaucer and the novel.;

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Chaucer's Humor

Originally published in 1994. Chaucer is considered the first major humorist in English literature and is particularly interesting as he;

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Chaucer's Humor

Originally published in 1994. Chaucer is considered the first major humorist in English literature and is particularly interesting as he;

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The Wisdom of the Middle Ages

of Boccaccio and Chaucer. Written for the lay reader, this lively overview of a flourishing era, often devalued in our time as a benighted period;

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Poems Of John Dryden

, Chaucer, and Boccaccio. This volume presents, in newly-edited texts and with a substantial editorial commentary, the complete non-dramatic;

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De verhalen van Canterbury

. Geoffrey Chaucer was diplomaat en hoveling.Veertien jaar lang werkte hij aan zijn meesterwerk De verhalen van Canterbury;

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Medieval Narrative

in this book is mainly English, with Chaucer as a central figure, but it refers to a range of well-known European texts and writers, such as;

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Chaucer and the Making of English Poetry, Volume 2

individual achievement and his place in history - and demonstrates that in both these senses Chaucer is a maker of English poetry. The author;

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Chaucer and the Making of English Poetry, Volume 2

individual achievement and his place in history - and demonstrates that in both these senses Chaucer is a maker of English poetry. The author;

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Chaucer and Italian Textuality

, lively and highly varied tradition. Chaucer and Italian Textuality provides a new perspective on Chaucer and Italy by highlighting the;

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The Orient in Chaucer and Medieval Romance

A study of romance and the Orient in Chaucer and in anonymous popular metrical romances. The idea of the Orient is a major motif;

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Language and the Declining World in Chaucer, Dante, and Jean de Meun

how three major poets - Chaucer, Dante, and Jean de Meun - participated in these debates about language. He offers fresh analyses of how the;

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Chaucer and the Italian Trecento

question that has been occupying scholars for many years: what did fourteenth-century Italy and its literature mean to Chaucer? In the first part;

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Einde inhoud

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