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Time and Gender on the Shakespearean Stage

, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out;

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Time and Gender on the Shakespearean Stage

, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out;

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The Shakespeare Effect

Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare;

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The Shakespeare Effect

Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare;

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Shakespeare, Theatre, and Time

metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;

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Shakespeare, Theatre, and Time

metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;

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Costuming the Shakespearean Stage

which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality;

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The Shakespearean Stage 1574-1642

For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;

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The Shakespearean Stage 1574-1642

For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;

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Shakespearean Entrances

Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not;

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The Hand on the Shakespearean Stage

activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the;

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Shakespeare's Accents

producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This;

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Shakespeare's Accents

producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This;

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The Shakespearean Stage Space

than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities.;

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Shakespearean Stage Space

than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities.;

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Sexuality in the Age of Shakespeare

This book examines the important themes of sexuality, gender, love, and marriage in stage, literary, and film treatments of Shakespeare's;

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The Bible on the Shakespearean Stage

were also steeped in the practices and methods of biblical interpretation. Reformation and counter-reformation debate focused not just on the;

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Shakespeare's History

to all the histories and the Shakespearean stage as such, as well as to his idea of time and the world generally, that is, to the;

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The Shakespearean Stage, 1574-1642

The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.;

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The Dynamics of Inheritance on the Shakespearean Stage

Early modern England's system of patrilineal inheritance, in which the eldest son inherited his father's estate and title, was one of the;

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The Dynamics of Inheritance on the Shakespearean Stage

Early modern England's system of patrilineal inheritance, in which the eldest son inherited his father's estate and title, was one of the;

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The Cambridge Companion To Shakespearean Tragedy

Shakespearean tragedy originated, developed and diversified, as well as how it has fared on stage, as text and in criticism. Topics covered include the;

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Cosmetics in Shakespearean and Renaissance Drama

of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic;

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Cosmetics in Shakespearean and Renaissance Drama

of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic;

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Twelfth Night or What You Will

between romance and realism and its exploration of gender, sexuality and identity. In examining the stage history, Professor Gay suggests that;

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Representing Shakespearean Tragedy

Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players;

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Representing Shakespearean Tragedy

Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players;

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