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The Shakespearean Stage, 1574-1642

The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.;

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The Shakespearean Stage 1574-1642

For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;

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The Shakespearean Stage 1574-1642

For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;

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The Devil and the Sacred in English Drama, 1350-1642

parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that;

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The Devil and the Sacred in English Drama, 1350-1642

parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that;

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Shakespearean Entrances

Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not;

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The Shakespearean Stage Space

How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores;

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Shakespearean Stage Space

How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores;

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The Shakespeare Effect

Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare;

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The Shakespeare Effect

Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare;

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Costuming the Shakespearean Stage

conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to;

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Shakespeare's Accents

producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This;

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Shakespeare's Accents

producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This;

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The Cambridge Companion To Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy acquaints the student reader with the forms, contexts, critical and theatrical lives;

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The Bible on the Shakespearean Stage

thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they;

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Frankfurter book fair 1574

Frankfurter book fair 1574;

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The Hand on the Shakespearean Stage

activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the;

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Shakespeare, Theatre, and Time

metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;

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Shakespeare, Theatre, and Time

metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;

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Playfulness in Shakespearean Adaptations

of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently;

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History of the great civil war, 1642-1649 (Volume I) 1642-1644

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Shakespeare & Staging English History

book builds a profile of the kinds of writing and staging that characterise a Shakespearean history play and that differentiate one history;

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Shakespeare's History

to all the histories and the Shakespearean stage as such, as well as to his idea of time and the world generally, that is, to the;

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Richard Nelson Plays 1

Shakespearean Actos and New England - written for the Royal Shakespeare Company. The collection also includes the plays Principia Scriptoriae and;

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Shakespeare's Boys

of characters from across the Shakespearean canon in their original early modern contexts and surveying their subsequent performance histories on stage;

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Representing Shakespearean Tragedy

Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players;

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Representing Shakespearean Tragedy

Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players;

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