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How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores;
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How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores;
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The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.;
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Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not;
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For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;
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For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;
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Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare;
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Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare;
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book builds a profile of the kinds of writing and staging that characterise a Shakespearean history play and that differentiate one history;
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conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to;
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producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This;
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producers have all had a major impact on how accents have evolved and changed on the Shakespearean stage over the last four hundred years. This;
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Early modern England's system of patrilineal inheritance, in which the eldest son inherited his father's estate and title, was one of the;
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Early modern England's system of patrilineal inheritance, in which the eldest son inherited his father's estate and title, was one of the;
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The Cambridge Companion to Shakespearean Tragedy acquaints the student reader with the forms, contexts, critical and theatrical lives;
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thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they;
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looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically;
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looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically;
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activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the;
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metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;
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metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;
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of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently;
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Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This;
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Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This;
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to all the histories and the Shakespearean stage as such, as well as to his idea of time and the world generally, that is, to the;
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The multi-stage space elevator offers an alternative to the single-ribbon design, making it possible to construct the elevator with present;
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Shakespearean Actos and New England - written for the Royal Shakespeare Company. The collection also includes the plays Principia Scriptoriae and;
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