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Costuming the Shakespearean Stage

, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes;

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The Shakespearean Stage, 1574-1642

The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.;

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Shakespearean Entrances

Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not;

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Shakespearean Stage Space

How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores;

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The Shakespearean Stage Space

How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores;

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The Shakespearean Stage 1574-1642

For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;

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The Shakespearean Stage 1574-1642

For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview;

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Shakespearean Stage Production

, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan;

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The Shakespeare Effect

This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist;

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The Shakespeare Effect

This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist;

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A Poor Player

on the history of Shakespearean production. Originally published in 1939, this book presents a humorous and self-deprecating account;

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Shakespeare's Accents

Voices and accents are increasingly perceived as central markers of identity in Shakespearean performance. This book presents a history;

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Shakespeare's Accents

Voices and accents are increasingly perceived as central markers of identity in Shakespearean performance. This book presents a history;

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The Cambridge Companion To Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy acquaints the student reader with the forms, contexts, critical and theatrical lives;

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The Bible on the Shakespearean Stage

thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they;

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The Hand on the Shakespearean Stage

activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the;

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Ngaio Marsh's Hamlet

Dame Ngaio Marsh (1895-1982) was one of the greatest crime writers of the twentieth century. Marsh was also a gifted Shakespearean director;

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Shakespearean Metaphysics

, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes;

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Illustrating Shakespeare

. In this respect of course, the history of Shakespearean art exactly resembles that of Shakespearean theatre production; but where the theatre;

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Shakespeare, Theatre, and Time

metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;

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Shakespeare, Theatre, and Time

metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical;

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Playfulness in Shakespearean Adaptations

of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently;

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Shakespeare and Costume in Practice

What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central;

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Shakespeare and Costume in Practice

What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central;

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Shakespeare & Staging English History

book builds a profile of the kinds of writing and staging that characterise a Shakespearean history play and that differentiate one history;

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Shakespeare's History

to all the histories and the Shakespearean stage as such, as well as to his idea of time and the world generally, that is, to the;

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Richard Nelson Plays 1

Shakespearean Actos and New England - written for the Royal Shakespeare Company. The collection also includes the plays Principia Scriptoriae and;

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