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complex Shakespearean character speaks in many voices and for various purposes and is the only character that can provide the missing link between;
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Why does Shakespearean tragedy continue to move spectators even though Elizabethan philosophical assumptions have faded from belief;
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A cultural biography of Shakespeare's most famous characters, from Shylock to the Shrew. Each chapter offers an original perspective;
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emotional response that makes these characters strikingly memorable and intimately human. Shakespearean Character will equip readers for further;
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invention of the camera, looking at how photographic images have shaped perceptions of historicity, performance, and Shakespearean character, and;
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invention of the camera, looking at how photographic images have shaped perceptions of historicity, performance, and Shakespearean character, and;
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in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism;
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This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the;
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This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the;
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Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama;
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First published in 1970. This volume is an Investigation into Mr. Malone's Claim to the Character of Scholar or Critic, is an examination;
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unique insight into the preparation and performance of a major Shakespearean role and how a character is created through responding to;
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Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean;
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and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More;
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Ivan Nyusztay's Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean Drama for the first time presents a systematic;
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and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More;
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to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated;
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to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated;
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Published in 1866, this is a meticulous, encyclopaedic listing of almost every word, place and character in Shakespeare's works. A must;
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and contrast than character. Stoll examines many of Shakespeare's plays, predominantly Othello, Macbeth, King Lear, and Hamlet, and compares;
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: Shakespearean Tragedy by Stephen Greenblatt, Shakespearean Comedy by Katharine Eisaman Maus, Shakespearean History by Jean E. Howard, and Shakespearean;
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The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.;
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The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world;
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Alternative Shakespeares, published in 1985, shook up the world of Shakespearean studies, demythologising Shakespeare and applying new;
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Casting is the process by which directors assign parts to actors, creating the idea of the character for the audience. Casting is how we;
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