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and contrast than character. Stoll examines many of Shakespeare's plays, predominantly Othello, Macbeth, King Lear, and Hamlet, and compares;
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series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry;
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of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism;
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of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism;
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In Shakespeare's England, credit was synonymous with reputation, and reputation developed in the interplay of language, conduct, and social;
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For courses in Renaissance Art. Through close examination of Renaissance paintings, drawings, book illustrations, and other art works;
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For courses in Renaissance Art. Through close examination of Renaissance paintings, drawings, book illustrations, and other art works;
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to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative;
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Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest;
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For courses in Renaissance Art. Through close examination of Renaissance paintings, drawings, book illustrations, and other art works;
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This book showcases the research of established and younger colleagues from Great Britain and Ireland on artifice and invention in the;
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This book showcases the research of established and younger colleagues from Great Britain and Ireland on artifice and invention in the;
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, including magic, revenge and forgiveness, order and society, and nature versus art. The shipwreck and remote island, the spirits, and the dukes and;
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classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as;
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understanding Shakespeare's art. It looks specifically at Richard II, Henry V, Ophelia, The Tempest, allusions to Shakespeare in film, and recent film;
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Shakespeare and Impure Aesthetics explores ideas about art implicit in Shakespeare's plays and defines specific Shakespearean aesthetic;
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Shakespeare and Impure Aesthetics explores ideas about art implicit in Shakespeare's plays and defines specific Shakespearean aesthetic;
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A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare;
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This Wordsworth Edition includes an exclusive Introduction and Notes by Cedric Watts, M.A., Ph.D., Emeritus Professor of English;
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A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare;
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nature of God. He traverses the boundaries of art, philosophy, psychology, and religion to draw on Shakespeare, Carl Jung, and A. N. Whitehead to;
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reinvigorates textual approaches to disability in Shakespeare by reading accessibility as an art form and exploring both the powers and potential limits;
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reinvigorates textual approaches to disability in Shakespeare by reading accessibility as an art form and exploring both the powers and potential limits;
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declining prestige of memory. It argues that Shakespeare and Donne revolutionize the art of memory, thanks to their skepticism, and thereby;
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