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with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern;
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Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest;
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between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to;
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; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets;
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affected their creative practice and their theories of the imagination. Yet Shakespeare's effect on both was crucial, as Jonathan Bate shows;
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; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets;
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of black-and-white illustrations which the readers can fill in with the colors of their imagination. Give thy thoughts no tongue, but color!and;
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attention and imagination of parents, educators, and lovers of Shakespeare around the world.;
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. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap;
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Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works;
Vergelijkbare producten zoals Shakespeare and the Visual Arts
Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works;
Vergelijkbare producten zoals Shakespeare and the Visual Arts
Representations of the mind have a central place in Shakespeare's artistic imagination, as we see in Bottom struggling to articulate his;
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concise and fascinating insight into the city's impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early;
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attention and imagination of parents, educators, and lovers of Shakespeare around the world.;
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literature. The book places early modern debates about the value of visual experience into dialogue with subsequent philosophical and ethical efforts.;
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literature. The book places early modern debates about the value of visual experience into dialogue with subsequent philosophical and ethical efforts.;
Vergelijkbare producten zoals Image Ethics in Shakespeare and Spenser
A substantial reference work that supersedes existing studies, the Companion, explores the place of Shakespeare in relation to a wide range;
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'ethical imagination'. Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take;
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connections between theatrical performance and Shakespeares references in the visual arts. Featuring numerous portraits and images of costumes;
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. Allison describes the path to 'true imagination', an intensification of ordinary imagination, which can lead to real knowing. He examines how;
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poems. At the heart of the book is an argument that Shakespeare's supreme valuation of the force of imagination was honed by the classical;
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poet can offer into the work of another, is generated in the process, and our entire understanding of Shakespeare, his art and imagination;
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for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his;
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for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his;
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' and competing 'Irelands' that inform the Irish imagination.;
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