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Making and Unmaking in Early Modern English Drama

with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern;

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Shakespeare & The Visual Imagination

Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest;

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Victorian Literature and the Victorian Visual Imagination

between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to;

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The Oxford Handbook of the Age of Shakespeare

; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets;

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Shakespeare and the English Romantic Imagination

affected their creative practice and their theories of the imagination. Yet Shakespeare's effect on both was crucial, as Jonathan Bate shows;

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Oxford Handbook The Age Of Shakespeare

; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets;

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Shakespeare in Black & White

of black-and-white illustrations which the readers can fill in with the colors of their imagination. Give thy thoughts no tongue, but color!and;

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Romeo and Juliet

attention and imagination of parents, educators, and lovers of Shakespeare around the world.;

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Tempest

attention and imagination of parents, educators, and lovers of Shakespeare around the world.;

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Macbeth

attention and imagination of parents, educators, and lovers of Shakespeare around the world.;

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Stage and Picture in the English Renaissance

. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap;

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Shakespeare and the Visual Arts

Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works;

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Shakespeare and the Visual Arts

Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works;

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Phantasmatic Shakespeare

Representations of the mind have a central place in Shakespeare's artistic imagination, as we see in Bottom struggling to articulate his;

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Shakespeare and London

concise and fascinating insight into the city's impact on the Shakespearean imagination and provides readers with a wide-ranging guide to early;

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Child's Portrait of Shakespeare

attention and imagination of parents, educators, and lovers of Shakespeare around the world.;

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Image Ethics in Shakespeare and Spenser

literature. The book places early modern debates about the value of visual experience into dialogue with subsequent philosophical and ethical efforts.;

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Image Ethics in Shakespeare and Spenser

literature. The book places early modern debates about the value of visual experience into dialogue with subsequent philosophical and ethical efforts.;

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The Edinburgh Companion to Shakespeare and the Arts

A substantial reference work that supersedes existing studies, the Companion, explores the place of Shakespeare in relation to a wide range;

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The Ethical Imagination in Shakespeare and Heidegger

'ethical imagination'. Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take;

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Searching for Shakespeare

connections between theatrical performance and Shakespeare’s references in the visual arts. Featuring numerous portraits and images of costumes;

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A Way of Seeing

. Allison describes the path to 'true imagination', an intensification of ordinary imagination, which can lead to real knowing. He examines how;

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How the Classics Made Shakespeare

poems. At the heart of the book is an argument that Shakespeare's supreme valuation of the force of imagination was honed by the classical;

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Shakespeare and the Goddess of Complete Being

poet can offer into the work of another, is generated in the process, and our entire understanding of Shakespeare, his art and imagination;

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Milton's Visual Imagination

for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his;

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Milton's Visual Imagination

for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his;

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Shakespeare and Ireland

' and competing 'Irelands' that inform the Irish imagination.;

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