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Scenes and Machines on the English Stage During the Renaissance

Originally published in 1923, this book presents a detailed study of the development of English staging during the Renaissance, and its;

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The Theatres of Inigo Jones and John Webb

replaced by a kind of playhouse better suited to the 'Scenes and Machines' which dealt in spectacles. The seventeenth century was therefore a;

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The Theatres of Inigo Jones and John Webb

replaced by a kind of playhouse better suited to the 'Scenes and Machines' which dealt in spectacles. The seventeenth century was therefore a;

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Language and Stage in Medieval and Renaissance England

This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period;

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Language and Stage in Medieval and Renaissance England

This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period;

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Spanish Tragedy

Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its;

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Site Unscene

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the;

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Plautus and the English Renaissance of Comedy

both on stage and page. It also led to a reinvention of comedy and to new thinking about its art and potential. This book aims to define the;

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Plautus and the English Renaissance of Comedy

both on stage and page. It also led to a reinvention of comedy and to new thinking about its art and potential. This book aims to define the;

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Early Modern Theatrical Iconoclasm

literature, the English stage and theological change during the reformation.;

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The Emergence of a Tradition

of viewing the Renaissance and the dramatic changes that emerged during the 1475-1640 period, the first years of English printing.;

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The Emergence of a Tradition

of viewing the Renaissance and the dramatic changes that emerged during the 1475-1640 period, the first years of English printing.;

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The Italian Renaissance of Machines

Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the;

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The Shakespearean Stage Space

with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways;

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Shakespearean Stage Space

with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways;

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The Performance of Pleasure in English Renaissance Drama

, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic;

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The Performance of Pleasure in English Renaissance Drama

, Webster, Middleton and Ford - this new book addresses the question of pleasure: both erotic pleasure as represented on stage and aesthetic;

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The Dynasts

, whose parts were published in 1904, 1906 and 1908 respectively. The action is impossible to present on stage due to its elaborate battle-scenes;

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The Dynasts

, whose parts were published in 1904, 1906 and 1908 respectively. The action is impossible to present on stage due to its elaborate battle-scenes;

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The Dynasts

, whose parts were published in 1904, 1906 and 1908 respectively. The action is impossible to present on stage due to its elaborate battle-scenes;

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Enter the Whole Army

explanations for specific scenes and incidents in the plays, such as Cleopatra's monument, or the siege of Orleans. He shows different uses of the;

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Eroticism on the Renaissance Stage

In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies;

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Eroticism on the Renaissance Stage

In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies;

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Common

shared and something base, and it argues that making common the work of God is at the heart of the English Reformation just as making common the;

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Common

shared and something base, and it argues that making common the work of God is at the heart of the English Reformation just as making common the;

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Success in Key Stage 3 Shakespeare 2008: Much Ado About Not

Focuses exclusively on the set scenes for the 2008 Key Stage 3 English SAT tests - compulsory tests for all Year 9 students across England;

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Plays Of Beaumont And Fletcher

of modern readings of sexuality and gender during the English Renaissance. Sandra Clark challenges commonly-held perceptions of Beaumont and;

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