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Language and Stage in Medieval and Renaissance England

This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period;

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Language and Stage in Medieval and Renaissance England

This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period;

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Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as;

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Medieval and Renaissance Drama in England v.15

Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as;

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Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama;

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Medieval and Renaissance Drama in England, Volume 29

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama;

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Medieval and Renaissance Drama in England, Volume 33

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama;

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Medieval and Renaissance Drama in England, Volume 32

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama;

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Medieval and Renaissance Drama in England, Volume 31

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama;

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Medieval and Renaissance Drama in England v. 16

books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive;

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Medievalia et Humanistica, No.22: Studies in Medieval and Renaissance Culture

and early Renaissance literature. Six original articles explore themes of law, art, and piety at all levels of medieval and early Renaissance;

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Medievalia et Humanistica, No. 41: Studies in Medieval and Renaissance Culture

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited;

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Medieval and Renaissance Drama in England, Volume 30

An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642.;

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Stages and Playgoers

audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare;

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Medieval and Renaissance Drama in England, Volume 28

An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642.;

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Medieval English Drama

This volume presents critical appraisals of Medieval drama, particularly in regard to structure and technique, and the appreciation;

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Death and Drama in Renaissance England

Drawing on a range of works from the English Renaissance, Death and Drama in Renaissance England offers a novel way to understand, in their;

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Medievalia et Humanistica, No. 47: Studies in Medieval and Renaissance Culture

itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited;

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Female Mourning and Tragedy in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear

significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this;

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Shakespeare the Actor and the Purposes of Playing

. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices;

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Eroticism on the Renaissance Stage

In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies;

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Eroticism on the Renaissance Stage

In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies;

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The Classics in the Medieval and Renaissance Classroom

were taught in various Western European curricula (including in England, Scotland, France, Germany, and Italy) from the tenth to the sixteenth;

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