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World Cinema and Cultural Memory

cultural memory within a global perspective that spans five continents. The book's innovative approach and approachable style should transform the;

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Directory Of World Cinema: Turkey

Since the 1990s, filmmakers in Turkey have increasingly explored notions of gender, genre, cultural memory, and national and transnational;

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Memory And Popular Film

a sustained, interdisciplinary perspective on memory and film from early cinema to the present, drawing from film studies, American studies;

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Teaching World Cinema

auteur in World Cinema * Gives examples of World Cinema in their historical and cultural contexts * Discusses finance and distribution * Case;

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Directory of World Cinema: Finland

An important addition to Intellect's popular series, Directory of World Cinema: Finland provides historical and cultural overviews of the;

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Migrant Memories

Migrant Memories provides an innovative perspective on the power of cultural memory and the influence of cinema on the Italian diaspora;

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Transcultural Images in Hollywood Cinema

ourselves in order to make sense of who we are in the world. The politics of representation in cinema influence the boundaries of ethnic and racial;

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Memory and Popular Film

cinema to the present. Considering the relationship between official and popular memory, the politics of memory, and the technological and;

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Cinema Memory Modernity

volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema;

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Cinema, Memory, Modernity

volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema;

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Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema

Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema examines popular representations of Generation X;

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Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema

Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema examines popular representations of Generation X;

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What Makes a Film Tick?

of how affective immersion in cinema works to engage viewers with history, memory and cultural specificity, it deals with both fiction film and;

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The First World War and Popular Cinema

nations. In turn, after the war, as memory began to fade, cinema continued to shape the war's legacy and eventually to determine the ways;

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The Construction of European Holocaust Memory: German and Polish Cinema after 1989

Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and;

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Australian National Cinema

confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective;

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The Cinema of Hong Kong

, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s;

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The Cinema of Hong Kong

, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s;

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Political Documentary Cinema in Latin America

of crisis and upheaval, and reflecting upon questions about ideology, cultural identity, genocide and traumatic memory. This collection bears;

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The Sexual Politics of Time

of time, memory, difference and cultural change, in subjects such as Media and Cultural Studies, Sociology, Film Studies.;

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The Sexual Politics of Time

of time, memory, difference and cultural change, in subjects such as Media and Cultural Studies, Sociology, Film Studies.;

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(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema

Formulated around a number of key thematic concerns - including new creative trends; the politics and practices of memory; auteurship;

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Cinema, Cross-Cultural Collaboration, and Criticism

Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a;

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Memory And Survival

Kieslowski's last films have indelibly marked the past decade. His cinema has renewed the representation of the human subject and emotion;

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European Identity In Cinema

including Film and Media Studies, Modern Languages, and Cultural Studies. Topics include questions of memory and identity; filmic autobiography;

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Anamnesia

on 'Memory' given by Dr Emma Wilson at the University of Cambridge, offers a fresh evaluation of memory as both a cultural and an individual;

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Remapping Brazilian Film Culture in the Twenty-First Century

culture whose internal workings are necessarily distinctive and thus deserving of world cinema scholars' attention. A blend of industry;

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