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The First World War and Popular Cinema

in which all warfare is imagined. The First World War and Popular Cinema provides fresh insight into the role of film as an historical;

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The First World War and Popular Cinema

World War and Popular Cinema is a new attempt to provide a comparative analysis of how the war has been remembered in film. It looks at how;

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Homemade Men In Postwar Austrian Cinema

hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this;

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British Cinema and the Second World War

, to Above Us the Waves and the Dam Busters made in the 1950s, the war film became a staple of British cinema- but popular success was not;

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The Cinema of Hong Kong

, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s;

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The Cinema of Hong Kong

, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s;

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Silent Cinema

development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. It addresses the;

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Silent Cinema

development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. It addresses the;

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Spanish Popular Cinema

This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the;

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Directory of World Cinema: Iran 2

of the most critically lauded films in the world today. The first volume in the Directory of World Cinema: Iran turned the spotlight on the award;

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A Second Life

develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany.;

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After Fellini

importance in world cinema. Through in-depth critiques of such acclaimed films as The Last Emperor, Caro Diario, and Stolen Children, as well as;

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Celluloid War Memorials

The films made by the British Instructional Films (BIF) company in the decade following the end of the First World War helped to shape the;

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Marcel Carné

moments such as the Popular Front of the 1930s, the Second World War and France's post-war modernisation. This book will be of interest to;

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Marcel Carne

such as the Popular Front of the 1930s, the Second World War and France's post-war modernisation. This book will be of interest to scholars;

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The Great War in Popular British Cinema of the 1920s

This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations;

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British Silent Cinema and the Great War

This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period;

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Britain and the Cinema in the Second World War

The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the;

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Screening World Cinema

across many issues of Screen. Themes addressed include: the problem of defining 'world cinema' the relationship between 'first' and;

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Screening World Cinema

across many issues of Screen. Themes addressed include: the problem of defining 'world cinema' the relationship between 'first' and;

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Imperialism and Popular Culture

the iconography of popular art. Several chapters look beyond World War I, when the most popular media, cinema and broadcasting, continued to;

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Fiction, Film, and Indian Popular Cinema

This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the;

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Fiction, Film, and Indian Popular Cinema

This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the;

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Capital and popular cinema

popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific;

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Directory of World Cinema: Britain 2

The first volume of the Directory of World Cinema: Britain provided an overview of British cinema from its earliest days to the present;

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The Komedi Bioscoop, KINtop 4

until the First World War in 1914. It outlines the introduction of the new technology by independent touring exhibitors, the constitution of a;

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International Adventures

1970s as the New German Cinema. Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as;

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