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The Turn to Gruesomeness in American Horror Films, 1931-1936

Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films;

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Women, Monstrosity and Horror Film

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that;

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Women, Monstrosity and Horror Film

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that;

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The Horror Film

genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world;

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The Horror Film

genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world;

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Horror Noire

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history;

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Horror Noire

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history;

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Rhetoric of Modern Death in American Living Dead Films

Zombies, vampires and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences' hunger;

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Recreational Terror

In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable;

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The Spectacle of Isolation in Horror Films

Go behind the scenes with an insightful look at horror filmsand the directors who create them The Spectacle of Isolation in Horror;

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Subversive Horror Cinema

Horror cinema flourishes in times of ideological crisis and national trauma - the Great Depression, the Cold War, the Vietnam era, post-9;

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Horror International

As global cinema becomes increasingly difficult to distinguish, characterizations of horror films from various geographical and cultural;

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Monsters, Demons and Psychopaths

Descriptions of monsters, vampires, demonic possessions, and psychopaths in horror films have been inspired by psychiatric knowledge about;

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The Films of Terence Fisher

Tracing the entire career of the British director Terence Fisher, best known for his Gothic horror films for Hammer-such as The Curse;

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Post-9/11 Heartland Horror: Rural Horror Films in an Era of Urban Terrorism

This book explores the resurgence of rural horror following the events of 9/11, as a number of filmmakers, inspired by the films of the;

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Italian Horror Film Directors

There is no cinema with such effect as that of the hallucinatory horror of Italian horror films. From Riccardo Freda's I Vampiri in 1956 to;

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The Monster Always Returns - American Horror Films and Their Remakes

The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this;

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Post-9/11 Heartland Horror

This book explores the resurgence of rural horror following the events of 9/11, as a number of filmmakers, inspired by the films of the;

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The Haunted Screen

While ghosts often inhabit films and literature devoted to the horror genre, a group of literature-based films from the 1930s and 1940s;

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Women In Horror Films, 1930s

They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the ;...

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Horror Films

of the considerable popularity of horror films over the last three decades, these questions have become the focus of growing attention for many;

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Science Fiction, Fantasy and Horror Film Sequels, Series and Remakes

Science fiction, fantasy and horror films have spawned more sequels than any other film genre. While the perhaps overly familiar Dracula;

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Horror Films

of the considerable popularity of horror films over the last three decades, these questions have become the focus of growing attention for many;

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The British Horror Film from the Silent to the Multiplex

When Hammer Films broke box office records in 1957 with `The Curse of Frankenstein', the company not only resurrected the gothic horror;

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Screen Sirens Scream!

. Twenty heroines recall what it was like to play endangered women in science fiction, horror, film noir and mystery movies from the 1930s to the;

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The Aesthetics of Horror Films

This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana's account;

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Hideous Progeny

preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror;

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