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The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this;
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In 1958 Hammer Films of England began their 'now classic' remakes of the Classic Universal Monster Films. Today the remakes themselves are;
Vergelijkbare producten zoals The Horror of Dracula
. Over 400 horror, science fiction and fantasy films are analyzed in this comprehensive reference to the genre's sequels, series and remakes;
Vergelijkbare producten zoals Science Fiction, Fantasy and Horror Film Sequels, Series and Remakes
original horror movies are more disturbing, and thus better than the remakes. He assesses the qualities of movies, old and recast, according to;
Vergelijkbare producten zoals Making and Remaking Horror in the 1970s and 2000s
Hollywood remakes. Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and;
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only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The;
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only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The;
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Hollywood Remakes, Deleuze and the Grandfather Paradox explores the philosophy of Gilles Deleuze using the framework of Hollywood's current;
Vergelijkbare producten zoals Hollywood Remakes, Deleuze and the Grandfather Paradox
Hollywood Remakes, Deleuze and the Grandfather Paradox explores the philosophy of Gilles Deleuze using the framework of Hollywood's current;
Vergelijkbare producten zoals Hollywood Remakes, Deleuze and the Grandfather Paradox
Zombies, vampires and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences' hunger;
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1970s, moved away from the characteristic industrial and urban settings of apocalyptic horror, to return to American heartland horror. Examining;
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horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and;
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the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American;
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1970s, moved away from the characteristic industrial and urban settings of apocalyptic horror, to return to American heartland horror. Examining;
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discussions of the American West, Poole focuses intently on the Native American experience. He reveals how monster stories went west to Sand Creek and;
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, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, Dutch, New;
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, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by;
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, prequel and (re-)adaptation. Remakes and Remaking thus provides a necessary and topical addition to the recent conceptual scholarship on;
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- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history;
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- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history;
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Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films;
Vergelijkbare producten zoals The Turn to Gruesomeness in American Horror Films, 1931-1936
literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude;
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of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific;
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review quotes, and a comparison between the U.S. and Japanese versions. The filmography is arranged by studio and includes American and Japanese;
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Mexico and the Central American states are home to many indigenous peoples, each of whom speaks their own language and lives according to;
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-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films-some;
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of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a;
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