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The Monster Always Returns - American Horror Films and Their Remakes

The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this;

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The Horror of Dracula

In 1958 Hammer Films of England began their 'now classic' remakes of the Classic Universal Monster Films. Today the remakes themselves are;

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Science Fiction, Fantasy and Horror Film Sequels, Series and Remakes

. Over 400 horror, science fiction and fantasy films are analyzed in this comprehensive reference to the genre's sequels, series and remakes;

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Making and Remaking Horror in the 1970s and 2000s

original horror movies are more disturbing, and thus better than the remakes. He assesses the qualities of movies, old and recast, according to;

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Neil Jordan

Hollywood remakes. Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and;

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Monstrous Adaptations

only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The;

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Monstrous Adaptations

only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The;

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Hollywood Remakes, Deleuze and the Grandfather Paradox

Hollywood Remakes, Deleuze and the Grandfather Paradox explores the philosophy of Gilles Deleuze using the framework of Hollywood's current;

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Hollywood Remakes, Deleuze and the Grandfather Paradox

Hollywood Remakes, Deleuze and the Grandfather Paradox explores the philosophy of Gilles Deleuze using the framework of Hollywood's current;

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Rhetoric of Modern Death in American Living Dead Films

Zombies, vampires and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences' hunger;

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Post-9/11 Heartland Horror: Rural Horror Films in an Era of Urban Terrorism

1970s, moved away from the characteristic industrial and urban settings of apocalyptic horror, to return to American heartland horror. Examining;

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Directory Of World Cinema: Russia

horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and;

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The Wounds of Nations

the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American;

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Post-9/11 Heartland Horror

1970s, moved away from the characteristic industrial and urban settings of apocalyptic horror, to return to American heartland horror. Examining;

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Monsters in America

discussions of the American West, Poole focuses intently on the Native American experience. He reveals how monster stories went west to Sand Creek and;

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Horror International

, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, Dutch, New;

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The Spectacle of Isolation in Horror Films

, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by;

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Remakes and Remaking

, prequel and (re-)adaptation. Remakes and Remaking thus provides a necessary and topical addition to the recent conceptual scholarship on;

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Horror Noire

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history;

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Horror Noire

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history;

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The Turn to Gruesomeness in American Horror Films, 1931-1936

Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films;

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Reading in the Dark

literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude;

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Hideous Progeny

of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific;

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Japanese Science Fiction, Fantasy And Horror Films

review quotes, and a comparison between the U.S. and Japanese versions. The filmography is arranged by studio and includes American and Japanese;

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Central American Mythology

Mexico and the Central American states are home to many indigenous peoples, each of whom speaks their own language and lives according to;

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Down from the Attic

-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films-some;

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Generation Multiplex

of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a;

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