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. Translator's Introduction. Critique of Judgment. Preface. Introduction. I. Critique of Aesthetic Judgment. II. Critique of Teleological Judgment;
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of beauty but also his ruminations on organisms and life. Each chapter in Thinking with Kant's Critique of Judgment unfolds the complexity of a key;
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. Translator's Introduction. Critique of Judgment. Preface. Introduction. I. Critique of Aesthetic Judgment. II. Critique of Teleological Judgment;
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Kant's Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third;
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Kant's Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third;
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of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his cognitive turn;
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In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first;
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In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first;
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of Kant. At once accurate, fluent, and accessible, Pluhar's rendition of the Critique of Practical Reason meets the standards set in his widely;
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of Kant. At once accurate, fluent, and accessible, Pluhar's rendition of the Critique of Practical Reason meets the standards set in his widely;
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in Kant's Critique of Judgment and Hannah Arendt's discussion of judgment from Lectures on Kant's Political Philosophy, these essays deal with: the;
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The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the;
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. Kant may seem to begin his inquiries with an uncritical conception of cognitive limits, but in Kant and the Subject of Critique, Avery Goldman;
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Pluhar maintains a fine, even tone throughout. . . . Those who have found the prospect of teaching the third Critique daunting will admire;
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The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the;
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"First Critique", being followed by the Critique of Practical Reason (1788) and the Critique of Judgment (1790). In the preface to the first;
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of Kant. At once accurate, fluent, and accessible, Pluhar's rendition of the Critique of Practical Reason meets the standards set in his widely;
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although Kant adopts his inventory of the forms of judgment from logic textbooks of his time, he is nevertheless original in selecting just those;
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faculty of judgment. Kant's third critique &; after Critique of Practical Reason and Critique of Pure Reason &; remains one of the most important;
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This work offers a systematic interpretation of the problematics of disinterest in the Critique of Aesthetic Judgment. It examines Kant's;
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In this close analysis of Immanuel Kant's aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a;
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complete only the first two parts, Thinking and Willing. Of the third, Judging, only the title page, with epigraphs from Cato and Goethe, was found;
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The Critique of Judgment-the third and final work in Kant's critical system-laid the groundwork of modern aesthetics when it appeared;
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Kant is a pivotal thinker in Adornoa s intellectual world. Yet although he wrote monographs on Hegel, Husserl and Kierkegaard, the closest;
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Kant is a pivotal thinker in Adornoa s intellectual world. Yet although he wrote monographs on Hegel, Husserl and Kierkegaard, the closest;
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first part of the Critique of Judgment.;
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