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. Translator's Introduction. Critique of Judgment. Preface. Introduction. I. Critique of Aesthetic Judgment. II. Critique of Teleological Judgment;
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. Translator's Introduction. Critique of Judgment. Preface. Introduction. I. Critique of Aesthetic Judgment. II. Critique of Teleological Judgment;
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Kant's Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third;
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Kant's Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third;
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The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the;
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in Kant's Critique of Judgment and Hannah Arendt's discussion of judgment from Lectures on Kant's Political Philosophy, these essays deal with: the;
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In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first;
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In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first;
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Pluhar maintains a fine, even tone throughout. . . . Those who have found the prospect of teaching the third Critique daunting will admire;
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, expanding the project from a Critique of Taste to a Critique of Judgment but he also made an ethical turn. This ethical turn was provoked by;
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The Critique of Judgment-the third and final work in Kant's critical system-laid the groundwork of modern aesthetics when it appeared;
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respected translations of the Critique of Judgment (1987) and the Critique of Pure Reason (1996). Stephen Engstrom's Introduction discusses the;
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respected translations of the Critique of Judgment (1987) and the Critique of Pure Reason (1996). Stephen Engstrom's Introduction discusses the;
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respected translations of the Critique of Judgment (1987) and the Critique of Pure Reason (1996). Stephen Engstrom's Introduction discusses the;
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The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the;
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The Value of Critique casts its gaze on the two dominant modes of passing judgment in art-critique and value (or evaluation). The act;
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Why read Kant's Critique of Judgment today? Does this classic of aesthetic theory still possess the vitality to prompt those of us engaged;
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, while revealing the systematic unity between Kant's theory of judgment in the first Critique and his analysis of merely reflective (aesthetic;
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premise of the book is that neo-pragmatism draws attention to an otherwise overlooked aspect of Kant's Critique of Aesthetic Judgment, and this;
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premise of the book is that neo-pragmatism draws attention to an otherwise overlooked aspect of Kant's Critique of Aesthetic Judgment, and this;
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reason is the real theme of the Critique of Judgment as of the two earlier Critiques. Since aesthetic judgment of the beautiful becomes possible;
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Critique of Rationality postulates aesthetic-consciousness as the site of socialisation in communities of meaning, as a frame for judgment;
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Immanuel Kant's Critique of Judgment is widely recognized as a founding document of modern aesthetics, but its legacy has fallen into;
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antecedents. By examining Kant's Critique of Judgement, Ginsborg explores the notion of a judgment of taste, as a judgment which has intersubjective;
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antecedents. By examining Kant's Critique of Judgement, Ginsborg explores the notion of a judgment of taste, as a judgment which has intersubjective;
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In a short chapter of the Critique of Practical Reason entitled On the Typic of the Pure Practical Power of Judgment, Kant addresses a;
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faculty of judgment. Kant's third critique &; after Critique of Practical Reason and Critique of Pure Reason &; remains one of the most important;
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