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history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish;
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Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate;
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Since its publication in 1990, the first edition of Music, Sound, and Technology has enjoyed wide success and has become a popular text;
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is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the;
Vergelijkbare producten zoals The Theory of Sound in its Relation to Music
. However, less attention has been given to the relation of sound, as manifested in the theory and practice of the field recording, to writing. The;
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This book addresses the issues in music therapy that are central to understanding it in its scholarly dimensions, how it is evolving, and;
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visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic;
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types of scenes; and Part III lays out a concise history of film music and sound, paying particular attention to the role of technological;
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This book addresses the issues in music therapy that are central to understanding it in its scholarly dimensions, how it is evolving, and;
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of the characteristics of sound. The relation between intensity and loudness, and the relation between frequency and pitch are discussed. The;
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of the characteristics of sound. The relation between intensity and loudness, and the relation between frequency and pitch are discussed. The;
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fundamentals of musical sound generation and propagation. The complex interplay of physiology and psychology involved in sound and music perception;
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theory, and sound studies. The essays in this volume consider objects and experiences marked by the correlation of sound and affect, in music and;
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theory, and sound studies. The essays in this volume consider objects and experiences marked by the correlation of sound and affect, in music and;
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music, it formed part of his thinking. Deleuze and Music is the first volume to explore Deleuze's ideas from the perspective of music and sound;
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This is a general introduction to the theory of computer music, giving details on sound, digital signal processing, math, and C programming;
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breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. The book includes sustained;
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. In this self-help book of theory and practical exercises, the author explains how we can put music to good use in our daily life; make it a part;
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Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture;
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Provides an introduction to the nature, synthesis and transformation of sound which forms the basis of digital sound processing for music;
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of sound. Shepherd moves on to develop a framework for the social analysis of music as sound, and the way in which music can be highly;
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framework to discuss the technical requirements of optimizing the sound of a source. Through its coverage of critical listening, pre-production;
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framework to discuss the technical requirements of optimizing the sound of a source. Through its coverage of critical listening, pre-production;
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of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical;
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Fifty years after its release, The Sound of Music (1965) remains the most profitable and recognisable film musical ever made. Quickly;
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