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itself: the processes, textures and structures of sound which so powerfully affect us as individuals. Music as Social Text begins by;
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music participation as a determinant of wellbeing and as a transformative tool to impact on wider social, cultural and environmental conditions;
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plays all of the music discussed in the music fundamentals chapters in Part I of the text, providing numerous demonstrations and quizzes, as;
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In this introduction to the social analysis of music, the author argues that musical meaning must be understood as socially constructed;
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The Ninth Edition of the Music Business Handbook and Career Guide maintains the tradition of this classic text as the most comprehensive;
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text is organized chronologically and thematically around particular genres/styles of music and addresses such dimensions as race, class;
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This work makes available the text and a selection of the music for Paradise Lost: An Oratorio (1760), first performed at Covent Garden the;
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a standard text in music education courses worldwide, tracing the development of music as an educational force from the dawn of European;
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, philosophy and media studies, chapters investigate music and sound as shared environmental feelings. This book probes into cutting edge;
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, philosophy and media studies, chapters investigate music and sound as shared environmental feelings. This book probes into cutting edge conceptual;
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, spatialities that illuminate the complexities of global cultural production. This unique text adopts a social-geographical perspective to capture;
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, spatialities that illuminate the complexities of global cultural production. This unique text adopts a social-geographical perspective to capture;
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employing music in history and social studies classrooms. Teachers who wish to develop lessons using music as a resource will find coverage of the;
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employing music in history and social studies classrooms. Teachers who wish to develop lessons using music as a resource will find coverage of the;
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is widely regarded as the key text of the Harlem Renaissance. Exploring social, political, and artistic change, the works include Locke's titular;
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field, the actual teaching of music involves social and political dimensions unique to the arts. In addition, teaching music as democratic;
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Focused foremost on the music and then on the social, political, and economic forces that combined to produce it, this book is the ideal;
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narrative has taken up a place in the landscape of inquiry in the social sciences. This renewed interest in storying and stories as both process;
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narrative has taken up a place in the landscape of inquiry in the social sciences. This renewed interest in storying and stories as both process;
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of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few;
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of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few;
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such as the use of the iPod, music technologies which encourage social interaction in public places, and music sharing on the internet;
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. Starting with the concept of music as multimodal text, the author understands translation as the process of transferring a text from one language;
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This open access book offers an interdisciplinary perspective and presents various case studies on music as ICH, highlighting the;
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This powerhouse best-selling text maintains is the most comprehensive, up-to-date guide to the music industry. Music business newcomers and;
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Sociologists have always been fascinated with music. In one way or another they have encountered music as an important social force in its;
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