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The Spectacle of Critique

Far from being the preserve of a few elite thinkers, critique increasingly dominates public life in modernity, leading to a cacophony;

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The Spectacle of Critique

Far from being the preserve of a few elite thinkers, critique increasingly dominates public life in modernity, leading to a cacophony;

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Comments On Society Of The Spectacle

First published in 1967, Guy Debord's stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since;

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Comments On The Society Of The Spectacle

First published in 1967, Guy Debord's stinging revolutionary critique of contemporary society, The Society of the Spectacle, has;

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Youth, Murder, Spectacle

violence in the United States. Beginning with a critique of statistical evidence of youth violence, Acland compares and juxtaposes a variety;

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War As Spectacle

in other cultures and eras demonstrates its continued relevance and the way antiquity is used to justify as well as to critique later conflicts.;

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Realist Critiques of Visual Culture

Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that;

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Realist Critiques of Visual Culture

Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that;

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Utopian Globalists

An innovative history and critical account mapping the ways artists and their works have engaged with, and offered commentary on, modern;

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Spectacle

How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate;

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Sport & Spectacle In Ancient World 2E

The second edition of Sport and Spectacle in the Ancient World updates Donald G. Kyle's award-winning introduction to this topic, covering;

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Rethinking the Spectacle

see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re;

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Rethinking the Spectacle

see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re;

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Screening the Tortured Body

persecution and bodily repression. Through a critique of sovereign power and its application of punishment 'for transgressions against the state', the;

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Spectacle Culture and American Identity

Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon;

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Sport and Spectacle in the Ancient World

The second edition of Sport and Spectacle in the Ancient World updates Donald G. Kyle's award-winning introduction to this topic, covering;

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Spectacle and Topophilia

This volume explores the intersection between theories of the modern spectacle--from Jose Antonio Maravall's conceptualisation of the;

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Spectacle and Topophilia

This volume explores the intersection between theories of the modern spectacle--from Jose Antonio Maravall's conceptualisation of the;

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Viral Critique

With the COVID-19 pandemic, critique has reached a certain limit. In the twenty-first century, our world can no longer be analyzed through;

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Spectacular Logic in Hegel and Debord

-century capitalism and reveals new possibilities for the critique of capitalism.;

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Enlightenment in an Age of Destruction

and of our existences. Providential enlightenment is not only a critique of the failure of enlightenment, but of the mutilation of historical;

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Debord, Time And Spectacle

In Debord, Time and Spectacle Tom Bunyard provides a detailed philosophical study of the theoretical work of Guy Debord and the;

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The Spell of Capital

This book explores the tradition, impact, and contemporary relevance of two key ideas from Western Marxism: Georg Lukacs's concept;

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Sport, Spectacle, and NASCAR Nation

Sport, Spectacle, and NASCAR Nation critically interrogates stockcar racing's ascendance into the upper-echelon of the North American;

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Christopher Marlowe

provocative critique of theatricalized as well as written propaganda. They encouraged their audiences to question the theatrical forms, or spectacles;

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Statius and Virgil

demonstrates how the Thebaid's fascination with horror, spectacle, and unspeakable violence is tied to Statius' critique of the moral and political;

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