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The Gothic and the Rule of the Law, 1764-1820

This book is the first full-length theoretical and historical study of the relation between early Gothic fiction and an emerging modern;

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The Gothic and the Rule of the Law, 1764-1820

This book is the first full-length theoretical and historical study of the relation between early Gothic fiction and an emerging modern;

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Britain, France and the Gothic 1764-1820

In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national;

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Britain, France And The Gothic, 1764-1820

In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national;

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Gothic Fiction

Gothic novel's first wave of popularity, between 1764 and 1820, to explore and analyse the full range of contradictory responses that the Gothic;

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British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824

British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824 considers three interlocking developments of this period: the;

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British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824

British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824 considers three interlocking developments of this period: the;

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The Journal of Latrobe; Being the Notes and Sketches of an Architect, Naturalist and Traveler in the United States From 1796 to 1820

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Gothic Literature 1764-1824

History of the Gothic: Gothic Literature 1764-1824 offers a detailed and accessible introduction to classic British Gothic literature and;

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York Notes Companions Gothic Literature

An exploration of Gothic literature from its origins in Horace Walpole's 1764 classic The Castle of Otranto, through Romantic and Victorian;

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Social Reform in Gothic Writing

Social Reform in Gothic Writing provides a transatlantic view of the politically transformative power that Gothic texts effected during the;

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The Tale of Terror

in detail from the appearance of Walpole's "Castle of Otranto" in 1764 to the publication of Maturin's "Melmoth the Wanderer" in 1820; and the;

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Gothic Literature 1764-1824

Lewis, Ann Radcliffe, William Godwin and Mary Shelley against the backdrop of eighteenth-and-nineteenth-century British social and political;

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Gothic Literature

four chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; and the Twentieth Century. The discussion examines;

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Expanding The Gothic Canon

to showing the evolution and expansion of the Gothic convention across the ages and the media. The temporal scope of the book is broad: the;

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Servants and the Gothic, 1764-1831

in the early Gothic mode. Throughout the eighteenth and nineteenth centuries, servants were 'othered' figures whose voices had the potential to;

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Gothic Remains

bleeding statue, the spectral skeleton - capable of creating a sublime form of beauty. Gothic Remains: Corpses, Terror and Anatomical Culture, 1764;

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Gothic Readings

Gothic Readings: The First Wave, 1764-1840 is an anthology of Gothic literature, set within the context of contemporary criticism and;

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Gothic Writing 1750-1820

Monk and The Mysteries of Udolpho, poetic variations on Gothic by Coleridge, Shelley and Keats, to satirical works on the theme by Jane Austen;

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Locating Ann Radcliffe

, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry. Ann Radcliffe (1764-1823) was the best;

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Locating Ann Radcliffe

, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry. Ann Radcliffe (1764-1823) was the best-selling;

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Sinister histories Gothic novels and representations of the past, from Horace Walpole to Mary Wollstonecraft

hitherto-neglected relationships between fiction and prominent works of eighteenth-century history, locating the Gothic novel in a range of new;

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Shakespearean Gothic

the Gothic tradition, first named by Horace Walpole in 1764. The two are inextricable. Writers interested in pursuing 'Gothic' themes and;

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Shakespearean Gothic

the Gothic tradition, first named by Horace Walpole in 1764. The two are inextricable. Writers interested in pursuing 'Gothic' themes and;

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Sinister histories

hitherto-neglected relationships between fiction and prominent works of eighteenth-century history, locating the Gothic novel in a range of new;

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She-(d)evils? The Construction of a Female Tyrant as a Cultural Critique

of their erotic needs. The book explains how their portrayal has evolved, embracing a selection of texts written between 1764 and 2003, as well as;

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Failed Rites of Passage in Early Gothic Fiction

), Mary Shelley's Frankenstein (1818) or Charles Maturin's Melmoth the Wanderer (1820) reveals that they actively engage with socio-political and;

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