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Britain, France and the Gothic 1764-1820

In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national;

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Britain, France And The Gothic, 1764-1820

In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national;

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The Gothic and the Rule of the Law, 1764-1820

This book is the first full-length theoretical and historical study of the relation between early Gothic fiction and an emerging modern;

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The Gothic and the Rule of the Law, 1764-1820

This book is the first full-length theoretical and historical study of the relation between early Gothic fiction and an emerging modern;

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Gothic Fiction

Gothic novel's first wave of popularity, between 1764 and 1820, to explore and analyse the full range of contradictory responses that the Gothic;

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British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824

British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824 considers three interlocking developments of this period: the;

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British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824

British Identities, Heroic Nationalisms, and the Gothic Novel, 1764-1824 considers three interlocking developments of this period: the;

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Gothic Literature 1764-1824

History of the Gothic: Gothic Literature 1764-1824 offers a detailed and accessible introduction to classic British Gothic literature and;

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York Notes Companions Gothic Literature

An exploration of Gothic literature from its origins in Horace Walpole's 1764 classic The Castle of Otranto, through Romantic and Victorian;

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Le Gothic

writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges;

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Le Gothic

writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges;

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Gothic Literature 1764-1824

Lewis, Ann Radcliffe, William Godwin and Mary Shelley against the backdrop of eighteenth-and-nineteenth-century British social and political;

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Social Reform in Gothic Writing

Social Reform in Gothic Writing provides a transatlantic view of the politically transformative power that Gothic texts effected during the;

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The Tale of Terror

in detail from the appearance of Walpole's "Castle of Otranto" in 1764 to the publication of Maturin's "Melmoth the Wanderer" in 1820; and the;

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Gothic Literature

four chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; and the Twentieth Century. The discussion examines;

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Servants and the Gothic, 1764-1831

in the early Gothic mode. Throughout the eighteenth and nineteenth centuries, servants were 'othered' figures whose voices had the potential to;

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Expanding The Gothic Canon

to showing the evolution and expansion of the Gothic convention across the ages and the media. The temporal scope of the book is broad: the;

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Historical Dictionary of Gothic Literature

of Otranto in 1764. During this long while, it has spread from England, to the rest of Great Britain, and across to the continent, and off to America;

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Gothic Britain

Gothic Britain is the first collection of essays to consider how the Gothic responds to, and is informed by, the British regional;

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Gothic Remains

bleeding statue, the spectral skeleton - capable of creating a sublime form of beauty. Gothic Remains: Corpses, Terror and Anatomical Culture, 1764;

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Gothic Readings

Gothic Readings: The First Wave, 1764-1840 is an anthology of Gothic literature, set within the context of contemporary criticism and;

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Gothic Writing 1750-1820

Monk and The Mysteries of Udolpho, poetic variations on Gothic by Coleridge, Shelley and Keats, to satirical works on the theme by Jane Austen;

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Locating Ann Radcliffe

, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry. Ann Radcliffe (1764-1823) was the best;

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Locating Ann Radcliffe

, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry. Ann Radcliffe (1764-1823) was the best-selling;

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Sinister histories Gothic novels and representations of the past, from Horace Walpole to Mary Wollstonecraft

hitherto-neglected relationships between fiction and prominent works of eighteenth-century history, locating the Gothic novel in a range of new;

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