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The Art of Discussion

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Seeing

discussed in the present tense and how Art by Contemporary Christians is now a topic for serious discussion that cannot be dismissed as merely an;

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Signs & Symbols In Christian Art

of symbols in Christian art. This paperback edition includes all of the three hundred fifty illustrations from the original edition, as well as the;

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Moscow Art Nouveau

An illustrated discussion of the architects and the buildings they designed, revealing Moscow Art Nouveau in all its diversity.;

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Understanding Art

discussion of the relevance and beauty of art and the media and methods used to produce art.;

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Investigating Modern Art

upon the institutions of art are interwoven with the discussion of particular works. Since the end of the 19th century Modernism has been the;

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The Faces of Europe

A discussion of the development of the culture and society of Europe includes examinations of art, farming, science, and politics;

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Arnheim, Gestalt And Art

Arnheim, Gestalt and Art is the first book-length discussion of the powerful thinking of the psychologist of art, Rudolf Arnheim. Written;

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ArtEZ Academia 14 - Theory,arts, practices

Theoretical concepts are important in contemporary art practice. The ongoing and fascinating discussion of exactly what role theory should;

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The Scholar's Art

For Jerome McGann, the purpose of scholarship is to preserve and pass on cultural heritage, a feat accomplished through discussion among;

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Art Education and Contemporary Culture - Irish Experiences, International Perspectives

relevant national policy. Rounding out the discussion are essays that locate the challenges and innovations of art education from in international;

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Dating and the Earliest Known Rock Art

in Bolivia in 1997 focus in the dating problem. They also reflect discussion of the earliest art in the light of recent research and as seen from a;

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Face to Face

Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and;

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Aesthetics

why art is important to us and goes on to grip the reader with a discussion of all of the areas central to aesthetics: aesthetic experience;

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Aesthetics

why art is important to us and goes on to grip the reader with a discussion of all of the areas central to aesthetics: aesthetic experience;

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The Sixteenth Century Italian Schools

, with a discussion of subject matter, authorship, provenance and art-historical significance. This volume describes Italian schools from the;

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Sociology of the Arts

concepts, stimulate classroom discussion, and encourage students to contemplate abstract theoretical issues central to the relationship between art;

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Dragon Art

includes such favourites as Don Maitz and Bob Eggleton. A fascinating discussion of dragons and fantasy art runs throughout the book, alongside a;

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The Philosophy Of Art

Written with clarity, wit, and rigor, The Philosophy of Art provides an incisive account of the core topics in the field. * The first;

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Artus 2011-2012

more commercially driven arts magazines, artUS is one of the world's leading academic resources for vibrant and uncensored critical discussion;

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A Shorter History of Greek Art

First published in 1981, this is the shorter work of the two volume set A History of Greek Art, intended for a general readership. The;

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Bulletin of the Egyptian Museum

Bulletin of the Egyptian Museum is a regular Egyptological forum for scholarly discussion of the various aspects of ancient Egyptian art;

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Civilizing Rituals

involved in the making and displaying of art as industry and how it is presented to the community. Carol Duncan looks at how nations;

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Art at the Limits of Perception

theorist, Wolfgang Welsch, this book offers the first discussion of the theory and practice of art that operates at the poles of perception;

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Thirty Seals & The Seal Of Seals

Giordano Bruno's third work on the Art of Memory or memory palace consists of a set of seals, which represent data structures for arranging;

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Performativity in Art, Literature, and Videogames

devices in orienting audiences' experience of art. The frame, as a site of paradox, links the book's discussion of theory with close readings;

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