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Shakespeare on stage and film, with Part Two providing a historical introduction to Shakespeare on film. Part Three explores the key modes and genre;
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fresh settings. The wealth of extra-textual material now available with film and television distribution and the numerous website tie-ins and;
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accomplishment. Susan Willis, an American scholar in Shakespeare studies and performance, observed the making of a number of these television plays. Here;
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teachers and students how to master the techniques of discussing productions of his plays on film and television. It distinguishes the advantages;
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those involved in theatre, film and television. John Wyver is a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon;
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understanding Shakespeare's art. It looks specifically at Richard II, Henry V, Ophelia, The Tempest, allusions to Shakespeare in film, and recent film;
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Aimed at newcomers to literature and film, this guide to the analysis of Shakespeare on film begins with an introduction to the main;
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popularity and sophistication of his works, numerous film and television adaptations of his plays have been made--some decades ago and others very;
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Shakespeare in mass media - particularly film, video, and television - is arguably the hottest, fastest growing research agenda;
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Shakespeare in mass media - particularly film, video, and television - is arguably the hottest, fastest growing research agenda;
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the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation;
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the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation;
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classroom, in the theatre, in film, on television and video, in multimedia and digital forms. Introduces important terms and contemporary areas;
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Shakespeare and Asia brings together innovative scholars from Asia or with Asian connections to explore these matters of East-West and;
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in print, in the classroom, in the theater, in film, on television and video, in multimedia and digital forms; introduces important terms and;
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of students' work, this photocopiable resource comes with an internet link to support the course with live examples of film, TV and radio.;
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popular culture. The Bard has permeated contemporary film, television, video, and electronic media such as Internet Websites and CD-ROMs in direct;
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contemporary issues, from politics to how we eat. These developments mean that documentary in film and television is a particularly fascinating - and;
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Filming Shakespeare, from Metatheatre to Metacinema is the first book-length study of Shakespeare film adaptations concerned with;
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with images and film. In Reading Shakespeare Film First, Mary Ellen Dakin asserts that we need to read Shakespeare in triplicateĀas the stuff;
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study the best known and most entertaining film, television and video versions of Shakespeare's plays. Particular attention is given to the work;
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Over the years films such as Notting Hill and Brief Encounter, as well as TV shows as varied as Coronation Street and Brideshead Revisited;
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, production company, lead players, black and white/colour, silent, stereo, wide screen, and awards. Films made for television transmission are;
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iTunes, as well as radio, television, and film, OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and;
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twenty-first century representations of both physical disability and 'madness' in global cinematic film, television film, and digital broadcast;
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This book will inspire academics, teachers and trainers to use film and television in their classrooms and to shows them how it might be;
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independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take;
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