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The National Curriculum has heightened the importance of teaching all aspects of media - print, sound, and moving image. Mixed Media covers;
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study the best known and most entertaining film, television and video versions of Shakespeare's plays. Particular attention is given to the work;
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students the innovative practices of leading moving image designers. Moving image design, whether viewed as television and movie title sequences;
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Andrew Goodwyn's straightforward approach to teaching about the moving image de-mystifies this topic and shows how it can be easily;
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Andrew Goodwyn's straightforward approach to teaching about the moving image de-mystifies this topic and shows how it can be easily;
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Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin's theories of dialogism as a;
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Software, Animation and the Moving Image brings a unique perspective to the study of computer-generated animation by placing interviews;
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Focusing on works by Shakespeare and Spenser, this study shows the connection between visuality and ethical action in early modern English;
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Focusing on works by Shakespeare and Spenser, this study shows the connection between visuality and ethical action in early modern English;
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In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living;
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several applications of human organ biomedical image analysis. In addition, the principle of moving object detection and tracking - including;
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metacinematic criticism. The volume offers a thoroughly researched and extensive survey of reflexivity in Shakespeare on screen, providing the reader;
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the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them;
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Moving image culture seems to privilege the instantly identifiable: the recognisable face, the well-timed stunt, the perfectly synchronised;
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In the area of Digital Image Processing the new area of "Time-Varying Image Processing and Moving Oject Recognition" is contributing to;
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The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well;
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The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well;
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Law, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving image Regulation: Histories, Cultures, Practices;
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Law, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving image Regulation: Histories, Cultures, Practices;
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This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as;
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This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as;
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. Moving from Shakespeare's early plays to his late period, and grouping the plays according to key stages in his career, the book traces the;
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explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from;
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vision and image processing. Examples in both Java and C++ are used throughout the book making it suitable for a wide range of courses. Topics;
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, moving and performing rather than reading. Drawing on her rich and varied experience as a teacher, Fiona Banks offers a range of examples and;
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Based on the authors' 20 years' research work on Inverse Synthetic Aperture Radar (ISAR) imaging of moving targets and non-cooperative;
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encompasses the great tragedies of Hamlet, King Lear, Othello and Macbeth as well as the moving history plays and the comedies such as A Midsummer;
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