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Comics Versus Art

inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics;

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The Comics of R. Crumb

recently, Crumb has turned to long-form, book-length works, such as his acclaimed Book of Genesis and Kafka. Over the long arc of his career, Crumb;

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The Aesthetics of Comics

solve the aesthetic problems posed by comic strips and to explain the relationship of this artistic genre to other forms of visual art. He;

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Critical Directions in Comics Studies

of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools;

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Critical Directions in Comics Studies

of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools;

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Art Spiegelman

who had long been working to establish comics as a serious art form. With his wife Francoise Mouly, he founded and edited RAW-the most;

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Reading Lessons in Seeing

employ to convey them. Theoretically eclectic, this study attends to the lessons taught by both the form and content of today's most celebrated;

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Distinctive Styles and Authorship in Alternative Comics

offers three close readings of works serially published between 1980 and 2018 - Art Spiegelman's Maus, Alison Bechdel's Dykes to Watch Out For;

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Comics Studies

, manga, and all forms of comic art has grown at a dizzying pace, with new publications, institutions, and courses springing up everywhere. The;

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Crossing Boundaries in Graphic Narrative

sequential art. The essays examine the politics of comic form and narrative, the ways in which graphic narrative and sequential art cross;

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Serial Selves

use the form to write and draw themselves into cultural visibility, Serial Selves will be of interest to anyone interested in the current boom;

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Drawing the Past, Volume 2

of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to;

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Drawing the Past, Volume 2

of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to;

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Comic Art in Museums

, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and;

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Comic Art in Museums

, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and;

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Breakdowns

The creator of the Pulitzer Prize-winning Maus reflects on the comics form and its influence on his life and art as he traces his evolution;

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Comics

Comics are a specific art-form in their own right. As products of the print media (newspaper, magazine, book) and the electronic media;

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Graphic Novels and Comics in Libraries and Archives: Essays on Readers, Research, History and Cataloging

To say that graphic novels, comics, and other forms of sequential art have become a major part of popular culture and academia would be a;

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Comics

Comics: An Introduction provides a clear and detailed introduction to the Comics form - including graphic narratives and a range of other;

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Comics

Comics: An Introduction provides a clear and detailed introduction to the Comics form - including graphic narratives and a range of other;

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Drawing the Line

study of the comics form, visual culture, or the history of journalism.;

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May Contain Graphic Material

efforts in visual art as The Crow (1994), and Sin City (2005). Films such as Road to Perdition (2002) and A History of Violence (2005) have;

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