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Distinctive Styles and Authorship in Alternative Comics

Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It;

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Grant Morrison

One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility;

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Family Authorship and Romantic Print Culture

This book explores the conjunction of authorship and family life as a distinctive cultural formation of Romantic-era Britain. It traces an;

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Family Authorship and Romantic Print Culture

This book explores the conjunction of authorship and family life as a distinctive cultural formation of Romantic-era Britain. It traces an;

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First Comprehension: Comics

words and pictures. Because kids can write a little or a lot, the content is perfect for learners of all styles and strengths. The comics, which;

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'Raw,' 'Weirdo,' and Beyond. American Alternative Comics, 1980-2000, Paperback

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The Comics of R. Crumb

sexual liberation. While Crumb's early work refined the parodic, over-the-top, and sexually explicit styles we associate with underground;

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Gothic in Comics and Graphic Novels

. It identifies structures, styles and themes drawn from the literary Gothic and discusses the presence of these in British and American comics;

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Critical Directions in Comics Studies

. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki. Recent decades have seen comics studies;

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Critical Directions in Comics Studies

. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki. Recent decades have seen comics studies;

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The French Comics Theory Reader

collection of key theoretical texts on comics, spanning a period from the 1960s to the 2010s, written in French and never before translated into;

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The Best American Nonrequired Reading 2006

The eclectic new volume in the annual series presents the finest literature from mainstream and alternative American periodicals, including;

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Seeing Comics through Art History. Alternative Approaches to the Form, Hardcover

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LEGEND

-, and five-author combinations, revealing the evolution of distinctive styles against and in conversation with others. Along with a complete;

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Graphic Borders

From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made;

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Graphic Borders

From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made;

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Serial Selves

Autobiography is one of the most dynamic and quickly-growing genres in contemporary comics and graphic narratives. In Serial Selves;

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DK Readers L2

of nonfiction presentation styles, such as fliers, instructions, and record-breaker statistics.;

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The Ethics of Authorship

author to the reader. But it also engages the question of what styles of authorship allow these responsibilities to be met. Style itself is an;

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Mounties on the Cover

of the Mountie in a variety of styles and have often depicted him as a Canadian hero and world icon. Lund's collection was donated to the;

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Visible Cities, Global Comics

More and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin;

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The LGBTQ+ Comics Studies Reader

, remus jackson, Keiko Miyajima, Chinmay Murali, Marina Rauchenbacher, Katharina Serles, Sathyaraj Venkatesan, and Lin Young The LGBTQ;

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The LGBTQ+ Comics Studies Reader

, remus jackson, Keiko Miyajima, Chinmay Murali, Marina Rauchenbacher, Katharina Serles, Sathyaraj Venkatesan, and Lin Young The LGBTQ;

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Kid Comic Strips

similar humor played out in comic strips across different cultures and humor styles. By examining Skippy and Ginger Meggs, the book shows a good;

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The Construction of Authorship

disseminated is changing at an explosive rate, the ways authorship is defined and rights conferred upon authors must also be reconsidered. This;

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Manga's Cultural Crossroads

transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a;

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Manga's Cultural Crossroads

transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a;

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