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Revisioning War Trauma in Cinema

Revisioning War Trauma in Cinema: Uncoming Communities uses philosophy and critical theory to examine films that participate in debates;

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Traumatic Imprints

Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a;

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Traumatic Imprints

Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a;

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German Cinema Terror & Trauma Since 1945

In German Cinema - Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and;

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German Cinema

In German Cinema - Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and;

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British Silent Cinema and the Great War

This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period;

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Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodovar

Reconceptualising Almodovar s films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema;

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Subversive Horror Cinema

Horror cinema flourishes in times of ideological crisis and national trauma - the Great Depression, the Cold War, the Vietnam era, post-9;

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Israeli Cinema

contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and;

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Britain and the Cinema in the Second World War

The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the;

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A Black Women's History of the United States ReVisioning American History 5 Revisioning History

Two award-winning history professors and authors focus on the stories of African-American women slav;...

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British Cinema and the Second World War

, to Above Us the Waves and the Dam Busters made in the 1950s, the war film became a staple of British cinema- but popular success was not;

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Trauma, Dissociation and Re-enactment in Japanese Literature and Film

Literature and Cinema, as well as those interested in Japanese History and Trauma Studies.;

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Trauma, Dissociation and Re-enactment in Japanese Literature and Film

Literature and Cinema, as well as those interested in Japanese History and Trauma Studies.;

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Healing War Trauma

Healing War Trauma details a broad range of exciting approaches for healing from the trauma of war. The techniques described in each;

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The Wounds of Nations

The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing;

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Healing War Trauma

Healing War Trauma details a broad range of exciting approaches for healing from the trauma of war. The techniques described in each;

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The First World War and Popular Cinema

The Great War played an instrumental role in the development of cinema, so necessary was it to the mobilization efforts of the combatant;

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Narratives of Hurricane Katrina in Context

War on Terror. In doing so it recognizes important challenges to trauma studies as an interpretive framework, opening up a discussion of the;

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On Being the Church: Revisioning Baptist Identity

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Psychological War Trauma and Society

This book explores the psychological trauma affecting soldiers and civilians who have encountered the violence of war or terrorism, arguing;

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War Trauma and Its Wake

-duty military personnel. War Trauma and Its Wake, then, is a vital book. The editors-one a Vietnam veteran who wrote the overview chapter on;

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Doris Lessing and the Forming of History

of Lessing's work via contexts ranging from post-war youth politics and radical women's writing to European cinema, analyse her experiments with genres;

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Memory And Survival

Kieslowski's last films have indelibly marked the past decade. His cinema has renewed the representation of the human subject and emotion;

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European Cinema after 1989

The book examines cinema in post-1989 Europe by looking at how the new post-Cold War cinematographic co-productions articulate the;

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The British Cinema Book

and masculinity, women and sixties cinema, melodrama and femininity in World War Two, British Film Censorship, British cinema and Black;

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Cinema in the Cold War

propaganda effort. It was not only propaganda that was created by the cinema of the Cold War - it also articulated criticism, and the movie;

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