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Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theater, 1576-1980

. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural;

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A Feminist Perspective on Renaissance Drama

, to show how revenge tragedy taps into deep fears and desires about women's agency and maternal power. Comedy, the female romantic quest, and;

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A Short History of English Renaissance Drama

of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and;

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A Short History of English Renaissance Drama

of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and;

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The Cambridge Introduction to Early Modern Drama, 1576-1642

according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics;

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The Cambridge Introduction to Early Modern Drama, 1576-1642

according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics;

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Tragedies of the English Renaissance

traces the astonishingly diverse range of tragedies as they were influenced by the growth of public and private theatre venues in London. Tragedy;

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The Revenger's Tragedy

of debauchery, deep offense, and the high cost of revenge. It is often compared to Hamlet for its relentless tension and its lecherous royalty. Its;

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Renaissance Papers 2006

texts, economic systems in Middleton's city comedy, and theoriesof political resistance in revenge tragedy. Political resistance is also the;

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Revenge Drama In European Renaissance And Japanese Theater

Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama;

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A Chaste Maid in Cheapside (Dodo Press)

distinctive of Jacobean dramatists. Middleton wrote in many genres, including tragedy, history and city comedy. His best-known plays are the tragedies;

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The Family of Love (Dodo Press)

of the most noteworthy and distinctive of Jacobean dramatists. Middleton wrote in many genres, including tragedy, history and city comedy. His;

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Shakespeare and Classical Tragedy

is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate;

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Theater of a City

development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place;

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Time and Gender on the Shakespearean Stage

readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy;

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Time and Gender on the Shakespearean Stage

readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy;

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Revenge Tragedy and Classical Philosophy on the Early Modern Stage

atmospheres and ontological assumptions of revenge tragedy exert their own kind of conditioning dramaturgical force. The book also revitalises our;

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Theater of a City

development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place;

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The Spanish Tragedy

Revenger's Tragedy, The Duchess of Malfi and even Hamlet would not exist as they do. It is thus a key text for the study of Renaissance drama and;

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Spanish Tragedy

Revenger's Tragedy, The Duchess of Malfi and even Hamlet would not exist as they do. It is thus a key text for the study of Renaissance drama and;

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Plotting Early Modern London

With the publication of Brian Gibbons's Jacobean City Comedy thirty-five years ago, the urban satires by Ben Jonson, John Marston and;

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Revenge Tragedy

linchpins of narrative structure, it is central to much Greek tragedy and was immensely popular in Elizabethan and Jacobean theatres. In this;

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When the bad bleeds

interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general;

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Thomas Middleton, Renaissance Dramatist

of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early;

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The Cambridge Companion to English Renaissance Tragedy

generic distinctiveness and how our familiarity with Shakespearean tragedy affects our appreciation of the tragedies of his contemporaries;

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The Second City

"Chicago's temple of improvisational comedy." -New York TimesSince opening in 1959, The Second City has transformed the state;

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Producing Early Modern London

, Thomas Middleton, and John Webster. While the conventional labels of city comedy or citizen comedy have often been applied to these plays;

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