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Renaissance Comedy

A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period;

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Study Guide to The Divine Comedy by Dante

A comprehensive study guide offering in-depth explanation, essay, and test prep for Dante's The Divine Comedy, a defining work of religious;

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Five Comedies from the Italian Renaissance

At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form-the ancient Latin comedy-to create witty;

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Spätmittelalter Und Renaissance

Dante's "Divine Comedy" is at the pinnacle of medieval literature and the poetic adaptation of scholastic theology. At the same time, it;

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Every Man in His Humor

Renaissance comedy. Complete text, modernized English, critical and explanatory notes and Introduction. From the Yale ben Jonson edition.;

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Shakespeare, Plautus and the Humanist Tradition

theexpense of a full understanding of the importance that Roman, particularly Plautine, comedy wouldhave had for an Elizabethan dramatist;

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Pollastra and the Origins of Twelfth Night

authors, entitled Romance and Aretine Humanism in Sienese Comedy. One of those texts, the comedy Parthenio, has escaped the attention of theater;

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Studies in Medieval and Renaissance Literature

of major writers such as Dante (The Divine Comedy), Malory (Le Morte d'Arthur), Spenser (The Faerie Queene) and Milton (Comus). Lewis's insightful;

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English Comedy

Why does comedy matter? Is it celebratory or subversive? What makes it flourish, and which creative forces resist it? English Comedy;

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Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theater, 1576-1980

Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre gen;...

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Jonson, Shakespeare, and Aristotle on Comedy

Jonson, Shakespeare, and Aristotle on Comedy relates new understandings of Aristotle's dramatic theory to the comedy of Ben Jonson and;

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Jonson, Shakespeare, and Aristotle on Comedy

Jonson, Shakespeare, and Aristotle on Comedy relates new understandings of Aristotle's dramatic theory to the comedy of Ben Jonson and;

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Four Renaissance Comedies

allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice;

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Four Renaissance Comedies

allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice;

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Menaechmi

'Menaechmi' is a broad farce that makes use of the comic possibilities of mistaken identity. Shakespeare adapted the plot for his 'Comedy;

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Journey to Beatrice

Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge;

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Ancient Comedy and Reception

the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the;

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Radical Comedy in Early Modern England

Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical;

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Renaissance Psychologies

Titania in A Midsummer Night's Dream and its return from Spenser's moralizing allegory to the Ovidian spirit of Shakespeare's comedy. It will;

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The Paradiso of Dante Alighieri

First published in 1932, this book provides the complete text of Dante's Paradiso, extracted from the Divine Comedy. The original Italian;

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Cambridge Studies in Renaissance Literature and Culture

- including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge;

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Cambridge Studies in Renaissance Literature and Culture

- including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge;

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Women in Dantes Divine Comedy

and political design outlined by the poet, invite comparison with Dante's Divine Comedy.;

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Teaching the Italian Renaissance Romance Epic

, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence;

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The Cambridge Companion to Shakespearean Comedy

comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number;

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