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A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period;
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A comprehensive study guide offering in-depth explanation, essay, and test prep for Dante's The Divine Comedy, a defining work of religious;
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At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form-the ancient Latin comedy-to create witty;
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Dante's "Divine Comedy" is at the pinnacle of medieval literature and the poetic adaptation of scholastic theology. At the same time, it;
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Renaissance comedy. Complete text, modernized English, critical and explanatory notes and Introduction. From the Yale ben Jonson edition.;
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theexpense of a full understanding of the importance that Roman, particularly Plautine, comedy wouldhave had for an Elizabethan dramatist;
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authors, entitled Romance and Aretine Humanism in Sienese Comedy. One of those texts, the comedy Parthenio, has escaped the attention of theater;
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of major writers such as Dante (The Divine Comedy), Malory (Le Morte d'Arthur), Spenser (The Faerie Queene) and Milton (Comus). Lewis's insightful;
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Why does comedy matter? Is it celebratory or subversive? What makes it flourish, and which creative forces resist it? English Comedy;
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Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre gen;...
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Jonson, Shakespeare, and Aristotle on Comedy relates new understandings of Aristotle's dramatic theory to the comedy of Ben Jonson and;
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Jonson, Shakespeare, and Aristotle on Comedy relates new understandings of Aristotle's dramatic theory to the comedy of Ben Jonson and;
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allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice;
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allusions. A general introduction provides a helpful overview of early modern comedy in the context of Renaissance comic theory and practice;
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Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge;
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Renaissance comedy.;
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the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the;
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Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical;
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Titania in A Midsummer Night's Dream and its return from Spenser's moralizing allegory to the Ovidian spirit of Shakespeare's comedy. It will;
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First published in 1932, this book provides the complete text of Dante's Paradiso, extracted from the Divine Comedy. The original Italian;
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- including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge;
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- including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge;
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and political design outlined by the poet, invite comparison with Dante's Divine Comedy.;
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, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence;
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comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number;
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