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Myth and Masculinity in the Japanese Cinema

consciousness are addressed: What is the relationship between history, myth and memory? And how are individual subjectivities defined in relation to the;

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Japanese Cinema

cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic;

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Japanese Cinema

cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic;

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Word and Image in Japanese Cinema

Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality;

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Word and Image in Japanese Cinema

Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality;

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Fairy tale interrupted

views of masculinity in second wave feminism and the role of myth and fairy in key works of feminism. A critical discussion ensues of twenty;

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Masculinity

Lehman brings together new work on masculinity in film by established film scholars, new academics, performance artists, and cultural;

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Undressing Cinema

Leon * pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City * drag and gender confusion in cinema;

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The Japanese Myths

The perfect introduction to the world of Japanese myth and legend. This is a smart and succinct guide to the rich tradition of Japanese;

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Masculine Jealousies and Contemporary Cinema

This study provides new insights into the link between masculinity and jealousy through a study of representations of male jealousy;

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Classical Masculinity and the Spectacular Body on Film

The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic;

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Classical Masculinity and the Spectacular Body on Film

The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic;

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Directory of World Cinema: Japan 3

Like its predecessors, Directory of World Cinema: Japan 3 endeavours to move scholarly criticism of Japanese film out of the academy and;

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Japanese Higher Education as Myth

In this dismantling of the myth of Japanese quality education , McVeigh investigates the consequences of what happens when statistical and;

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Japanese Higher Education As Myth

In this dismantling of the myth of Japanese quality education , McVeigh investigates the consequences of what happens when statistical and;

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Men and Masculinities in Contemporary Japan

This book is the first comprehensive account of the changing role of men and the construction of masculinity in contemporary Japan. The;

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Men and Masculinities in Contemporary Japan

This book is the first comprehensive account of the changing role of men and the construction of masculinity in contemporary Japan. The;

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The Wounds of Nations

The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing;

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The British Cinema Book

topics in British cinema available.The new edition appears in a larger format. First published in 1997 and reprinted twice, The British;

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Philosophy, Myth and Epic Cinema

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstadt discusses the;

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Philosophy, Myth and Epic Cinema

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstadt discusses the;

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Akira Kurosawa And Intertextual Cinema

In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese;

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Japanese Mythology and the Primeval World

The Japanese have faithfully preserved their ancient myths as a connected and well ordered system. And as a system, Japanese myths say much;

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Japanese Mythology and the Primeval World

The Japanese have faithfully preserved their ancient myths as a connected and well ordered system. And as a system, Japanese myths say much;

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Italian Cinema

Maggie Gunsberg examines popular genre cinema in Italy during the 1950s and 1960s, focussing on melodrama, commedia all'italiana , peplum;

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Osaka Modern - The City in the Japanese Imaginary

, coloniality, masculinity, translation-to produce not only a fresh appreciation of key works of literature and cinema, but also a new focus for these;

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Imperial Japanese Navy Aviator

West gave way to a myth of this foe as some sort of invincible oriental superman. Later, as the tide turned, and the skill and experience;

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