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Japanese Cinema

Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a;

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Japanese Cinema

Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a;

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Word and Image in Japanese Cinema

Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality;

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Word and Image in Japanese Cinema

Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality;

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Directory of World Cinema: Japan 3

Like its predecessors, Directory of World Cinema: Japan 3 endeavours to move scholarly criticism of Japanese film out of the academy and;

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Japanese Cinema

A-Z listings with detailed reviews, credits and plot synopsis for the most important films released ;...

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Akira Kurosawa And Intertextual Cinema

In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese;

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Atomic Bomb Cinema

Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths;

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Atomic Bomb Cinema

Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths;

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Time Frames

Until 1951, when Kurosawa's Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from;

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Trauma, Dissociation and Re-enactment in Japanese Literature and Film

of major social traumas that have marked, and in many ways shaped and defined much of modern Japan, Japanese fiction and cinema have not often been;

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Trauma, Dissociation and Re-enactment in Japanese Literature and Film

of major social traumas that have marked, and in many ways shaped and defined much of modern Japan, Japanese fiction and cinema have not often been;

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Contemporary Korean Cinema

The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art;

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Japanese Mirror

In this scintillating book, Ian Buruma peels away the myths that surround Japanese culture. With piercing analysis of cinema, theatre;

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Traditions in World Cinema

Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions-national, regional, and;

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Myth and Masculinity in the Japanese Cinema

This study argues that in Japanese popular cinema the 'tragic hero' narrative is an archetypal plot-structure upon which male genres, such;

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Writing in Light

While most people associate Japanese film with modern directors like Akira Kurosawa, Japan's cinema has a rich tradition going back to the;

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Screening Enlightenment

demonstrates the prominent role American cinema played in the political reeducation and reorientation of the Japanese. ;

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Chinese and Japanese Films on the Second World War

This book examines representations of the Second World War in postwar Chinese and Japanese cinema. Drawing on a wide range of scholarly;

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What Makes a Film Tick?

affective dimension if we want to understand how cinema takes up cultural or thematic issues. Examining cinematic affect through close readings;

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Futures of Chinese Cinema - Technologies and Temporalities in Chinese Screen Cultures

cinema today. Futures of Chinese Cinema takes an innovative approach, arguing for a broadening of Chinese screen cultures to account for;

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Cinema Censorship & the State - The Writings of Nagisa Oshima (Paper)

order and cover the period from the mid-1950s to the mid-1980s. Following a historical overview of the contemporary Japanese cinema, a;

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Floating Worlds

Features Insight into both mainstream and independent cinema Scientific reliability Easy readability Social and cultural context;

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Atomic Light (Shadow Optics)

, Tanizaki Jun'ichiro and Sigmund Freud, and H. G. Wells and Ralph Ellison, and in the early cinema and the postwar Japanese films of Kobayashi;

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Japan

, illustrating his argument from post-war Japanese literature and cinema. The combination of this broad approach, and provocative analysis which;

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Japanese Counterculture: The Antiestablishment Art of Terayama Shuji

and content after the cultural shift to television around 1960, young assistant directors given free rein in the New Wave as cinema combated;

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Cambridge Film Handbooks

compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition;

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