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France On Film

context, "France on Film" reconsiders the direction French cinema is taking today, bringing into focus critical questions concerning wide-ranging;

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France, Film, and the Holocaust

This book explores the relationship between film and the Holocaust in France: how has film changed the way that this traumatic event has;

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Politics and the Individual in France 1930-1950

Focusing on France, and bringing together historians of politics, literature, philosophy, art, and film, this volume sheds light on the;

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Politics and the Individual in France 1930-1950

Focusing on France, and bringing together historians of politics, literature, philosophy, art, and film, this volume sheds light on the;

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Film Architecture and the Transnational Imagination

of European film set design in the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book offers;

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The Biopic in Contemporary Film Culture

on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a;

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The Biopic in Contemporary Film Culture

on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a;

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Film Copyright in the European Union

Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on;

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Film Copyright in the European Union

Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on;

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Representing Ethnicity in Contemporary French Visual Culture

- ranging from the worldwide hit film Amelie to France's popular TV series Plus belle la vie - it explores how ethnicities have been represented;

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Exception Taken

in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry;

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Exception Taken

in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry;

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Inside the Film Factory

on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the;

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Inside the Film Factory

on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the;

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May 68

The events of 1968 are often seen purely as a student revolution, but impacted on every aspect of French society - theatre, film, sexuality;

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The Silent Cinema Reader

The Silent Cinema Reader is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and;

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Postwar Renoir

debate over how the medium of film registers the impact of trauma. The 1930s ended in catastrophe for both for Renoir and for France: La;

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5/1/1968

The events of 1968 are often seen purely as a student revolution, but impacted on every aspect of French society - theatre, film, sexuality;

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Directory Of World Cinema: France

Artistic, intellectual and appreciably avant-garde, the French film industry has, perhaps more than any other national cinema, been;

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100 Film Noirs

have had an enduring influence on international visual culture. 100 Film Noirs provides an authoritative overview of film noir past and present;

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100 Film Noirs

have had an enduring influence on international visual culture. 100 Film Noirs provides an authoritative overview of film noir past and present;

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French Colonial Documentary

citizenship rights in France was projected onto the colonies as a form of evolutionary interventionism. Bloom focuses on the promotion of French;

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How I Filmed the Wara Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles

of film. The completed documentary was first shown on 7 August 1916. Although some scenes were recreated after the start of the Battle, the action;

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Le suicide français - Ces quarante années qui ont défait la France

de déconstruire les déconstructeurs. Année après année, événement après événement, président après président, chanson après chanson, film après film;

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Beyond the Subtitle

A provocative rethinking of national cinema, authorship, and the discipline of film studies Examining European art films of the 1950s;

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The First World War and Popular Cinema

years. The book takes a comparative approach with case studies on Britain, United States and Russia and includes essays which examine the film;

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Noteworthy Francophone Women Directors

Francophone women filmmakers from France, Belgium, Switzerland, Latin American, Quebec, and even Thailand. The book begins following films released;

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