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Ecology and Chinese-Language Cinema

studies, but also seeks to reform the means through which Chinese-language eco-films are understood in the years to come. Ecology and Chinese;

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Readings in Contemporary Chinese Cinema

Most Chinese-language textbooks today cater to beginners and intermediate-level students, but virtually none address the unique needs;

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Economy, Emotion, and Ethics in Chinese Cinema

comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular. This book investigates major Chinese;

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Semiotics of Exile in Contemporary Chinese Film

, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed;

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The Rise of Chinese as a Global Language

This book investigates the macroacquisition of Chinese - its large-scale acquisition and adoption for various purposes by individuals;

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Futures of Chinese Cinema - Technologies and Temporalities in Chinese Screen Cultures

established and emerging scholars, Futures of Chinese Cinema represents a fresh contribution to film and cultural studies.;

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New Hong Kong Cinema

industry and assumed the role of powerhouse in East Asia's cinematic landscape. The author introduces the Cinema of Transitions to study the New;

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Chinese National Cinema

This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative;

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Chinese National Cinema

This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative;

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The Cinema of Feng Xiaogang - Commercialization and Censorship in Chinese Cinema After 1989

Communist Party’s film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The;

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The Cinema of Feng Xiaogang - Commercialization and Censorship in Chinese Cinema After 1989

Communist Party’s film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The;

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Transcendence and Spirituality in Chinese Cinema

Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema.;

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Directory Of World Cinema: China 2

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to;

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Chinese Lesbian Cinema

, lesbians-as well as a new sexual subject on the screen for the first time in the history of Chinese cinema. Blending historicist and comparative;

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Screening World Cinema

across many issues of Screen. Themes addressed include: the problem of defining 'world cinema' the relationship between 'first' and;

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Screening World Cinema

across many issues of Screen. Themes addressed include: the problem of defining 'world cinema' the relationship between 'first' and;

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Transcendence and Spirituality in Chinese Cinema

Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a;

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Historical Dictionary of Chinese Culture

practices along with critical areas of education and major entertainment venues of cinema and film, classical puppetry, and theater, ancient and;

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Craziness and Carnival in Neo Noir Chinese Cinema

Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the stone phenomenon in Chinese film production and;

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Revolutionary Cycles in Chinese Cinema, 1951-1979

A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and;

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The Early Transnational Chinese Cinema Industry

Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and;

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Hong Kong Cinema Since 1997

Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a;

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No Man an Island - The Cinema of Hou Hsiao-hsien

Hou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international ;...

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A Social View on the Chinese Language

and can be used in beginning-level Chinese linguistics courses. It is different from other Chinese linguistics surveys because, in addition to;

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Traditions in World Cinema

Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions-national, regional, and;

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Learning Chinese, Turning Chinese

of Chinese with the ultimate goal of becoming 'sinophone': that is, developing a fluency and facility at operating in Chinese-language contexts;

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Learning Chinese, Turning Chinese

of Chinese with the ultimate goal of becoming 'sinophone': that is, developing a fluency and facility at operating in Chinese-language contexts;

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