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Economy, Emotion, and Ethics in Chinese Cinema

anthropologically, as a way of life emanating from the everyday, and aesthetically, as imaginative forms and creative expressions. Economy, Emotion, and;

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Emotion, Restraint, And Community In Ancient Rome

Emotion, Restraint, and Community examines the ways in which emotions, and talk about emotions, interacted with the ethics of the Roman;

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Futures of Chinese Cinema - Technologies and Temporalities in Chinese Screen Cultures

established and emerging scholars, Futures of Chinese Cinema represents a fresh contribution to film and cultural studies.;

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The Cinema of Feng Xiaogang - Commercialization and Censorship in Chinese Cinema After 1989

Communist Party’s film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The;

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The Cinema of Feng Xiaogang - Commercialization and Censorship in Chinese Cinema After 1989

Communist Party’s film policy, industry reforms, the official promotion of Main Melody films and the emergence and growth of popular cinema. The;

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Chinese National Cinema

This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative;

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Chinese National Cinema

This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative;

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Transcendence and Spirituality in Chinese Cinema

Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema.;

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Theorizing Ambivalence in Ang Lee's Transnational Cinema

in transnational cinema and further provides a good example of the familiar cycle of ambivalent emotion toward the West in the aftermath of postcolonialism;

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The Political Economy of Local Cinema: A Critical Introduction

The globalization and digitalization of cultural markets presents formidable challenges for local cinema and storytelling. The essays;

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A Letter to China

, the overlapping cultural paradigms of Confucian ethics and a capitalist economy, residual of Maoism, socialist relations, and individualist;

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The Spatiality of Emotion in Early Modern China

original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call;

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The Spatiality of Emotion in Early Modern China

original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call;

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The Bloomsbury Research Handbook of Early Chinese Ethics and Political Philosophy

Chinese ethical and political theories can be used to contextualise contemporary philosophical issues, such as metaethics, human rights, emotions;

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Chinese Lesbian Cinema

, lesbians-as well as a new sexual subject on the screen for the first time in the history of Chinese cinema. Blending historicist and comparative;

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Directory Of World Cinema: China 2

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to;

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Ethics, Efficiency and Macroeconomics in China

need to be able to trust China's economy and leaders. In the absence of trust, people will make decisions based on extremely short time frames;

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Screening World Cinema

across many issues of Screen. Themes addressed include: the problem of defining 'world cinema' the relationship between 'first' and;

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Screening World Cinema

across many issues of Screen. Themes addressed include: the problem of defining 'world cinema' the relationship between 'first' and;

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Readings in Contemporary Chinese Cinema

Most Chinese-language textbooks today cater to beginners and intermediate-level students, but virtually none address the unique needs;

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Craziness and Carnival in Neo Noir Chinese Cinema

Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the stone phenomenon in Chinese film production and;

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Television and the Modernization Ideal in 1980s China

studies of globalization and the global political economy, scholarly attention to the history of Chinese television requires a more extensive and;

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Transcendence and Spirituality in Chinese Cinema

Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a;

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The Early Transnational Chinese Cinema Industry

Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and;

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Revolutionary Cycles in Chinese Cinema, 1951-1979

A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and;

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The Principles of New Ethics IV

constitutional democracy, a market economy without government control, freedom of speech, and the moral system of liberalism and egalitarianism are;

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The Principles of New Ethics IV

constitutional democracy, a market economy without government control, freedom of speech, and the moral system of liberalism and egalitarianism are;

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