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Dante, Cinema, and Television

, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the;

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Television and British Cinema

Hannah Andrews provides a timely and thorough investigation of the changing relationship between television and cinema in Britain;

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British TV and Fim Culture

relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and;

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Television and British Cinema

Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews;

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The Cinema of Michael Mann

The Cinema of Michael Mann traces the work of this important Hollywood director through a critical study of his film style and its;

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The Cinema of Michael Mann

The Cinema of Michael Mann traces the work of this important Hollywood director through a critical study of his film style and its;

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Monologos de Dante Gebel

A humorous compilation of the best of this well-known youth pastor. Humorous monologues about marriage, dating, television, American movies;

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Zola and the Art of Television

and theatre, television has largely been overlooked.;

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Spanish Practices: Literature, Cinema, Television

This book focuses on some of the best known and most important books, feature films, and television series in contemporary Span, and;

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Spanish Practices: Literature, Cinema, Television

This book focuses on some of the best known and most important books, feature films, and television series in contemporary Span, and;

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Understanding Cinema

Understanding Cinema, first published in 2003, analyzes the moving imagery of film and television from a psychological perspective. Per;

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Shakespeare and the Moving Image

Towards the end of the 1980s it looked as if television had displaced cinema as the photographic medium for bringing Shakespeare to the;

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Pasolini After Dante: The 'Divine Mimesis' and the Politics of Representation

cinema, after Auerbach's concepts of Dante's figura and 'mingling of styles'. Following the evolution of Pasolini's mimetic ideal from these;

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Pasolini After Dante

cinema, after Auerbach's concepts of Dante's figura and 'mingling of styles'. Following the evolution of Pasolini's mimetic ideal from these;

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Raul Ruiz's Cinema of Inquiry

the question of what cinema can be, especially at a time when cinema is increasingly seen as displaced by television and new media. Ruiz;

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Critical Dictionary of Film and Television Theory

The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the;

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Finding Queensland in Australian Cinema

‘Finding Queensland in Australian Cinema’ explores aspects of gender, race and region in films and television produced in the northern;

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Disney TV

program in television history. Over the years, Walt Disney's visions have evolved into family-oriented cinema, television, and theme parks. From;

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Screenwriting

. The result is an invaluable course in the craft of cinema and television screenwriting, and a sometimes wry look at how films and TV shows;

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New Philosophies of Film: An Introduction to Cinema as a Way of Thinking

approaches to cinema and puts forward a pluralist film philosophy, grounded in practical examples from film, documentaries and television series;

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French National Cinema

This revised and updated version of a successful and established text, French National Cinema offers a thorough and much-needed historical;

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French National Cinema

This revised and updated version of a successful and established text, French National Cinema offers a thorough and much-needed historical;

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Tracing the Borders of Spanish Horror Cinema and Television

This critical anthology sets out to explore the boom that horror cinema and TV productions have experienced in Spain in the past two;

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Algernon, Charlie and I

evolution of the novelette into a novel, stage production, cinema production, and TV movie.;

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The American President in Film and Television

relationship between the political context and the generic, iconographic and narrative parameters upon which mainstream cinema and television are based;

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Audiovisual Translation

cinema, the Internet and the stage and the problems the differences between cultures can cause.;

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