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Twilight Of The Gothic

fiction written by and for women, it explores the interconnected histories of Gothic and romantic fiction, from Ann Radcliffe and Jane Austen;

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Gothic Romanced

exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science;

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Varieties of Female Gothic

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the;

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CONTESTED CASTLE

The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels;

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Varieties of Female Gothic Vol 1

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the;

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Varieties of Female Gothic Vol 2

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the;

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Varieties of Female Gothic Vol 5

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the;

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Varieties of Female Gothic Vol 3

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the;

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Varieties of Female Gothic Vol 4

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the;

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Vladimir Odoevsky and Romantic Poetics

as a virtually rediscovered writer of Romantic and Gothic fiction. The author, a leading specialist on Odoevsky, analyses the contribution;

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The Cambridge Companion to Gothic Fiction

world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the;

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The Cambridge Companion to Gothic Fiction

world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the;

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Gothic Romanced

>. He manages a fluid and extensive exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular;

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THE GOTHIC TEXT

Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing. Opening with;

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English Fiction of the Romantic Period 1789-1830

the astounding variety of forms in Romantic fiction in terms of the various cultural, political, social, regional and gender conflicts of the;

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English Fiction of the Romantic Period 1789-1830

the astounding variety of forms in Romantic fiction in terms of the various cultural, political, social, regional and gender conflicts of the;

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Women's Gothic and Romantic Fiction

want and use this book. Library Journal;

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Richard Marsh

, romantic and comic fiction. This book, the first on Marsh, establishes his credentials as a significant agent within the fin de siecle gothic;

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American Gothic Art and Architecture in the Age of Romantic Literature

romances on American art and architecture in the Romantic era. American artists and architects were among the most avid readers of Gothic fiction;

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Twenty-First-Century Children s Gothic

This is the first monograph that brings together the fields of Gothic Studies and children s fiction to analyse a range of popular and;

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Confronting the Monster

The female Gothic emerged, some argue, around the eighteenth century. It is a genre uniquely written by women and reflective of their;

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Female Gothic Histories

Female Gothic Histories traces the development of women's Gothic historical fiction from Sophia Lee's The Recess in the late eighteenth;

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Gothic and Gender

Gothic novels tell terrifying stories of patriarchal societies that thrive on the oppression or even outright sacrifice of women and others;

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Gothic and Gender

Gothic novels tell terrifying stories of patriarchal societies that thrive on the oppression or even outright sacrifice of women and others;

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America's Gothic Fiction

.&; In America&;s Gothic Fiction, Dorothy Z. Baker investigates the ways in which nineteenth-century authors Edgar Allan Poe, Harriet Beecher Stowe, and;

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The Gothic Romance Wave

industry as we know it today. Women were buying books and reading as never before, and popular Gothic fiction dominated the publishing market;

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