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, Who's Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will;
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will satisfy your need for a challenge, featuring R. Crumb's 'Who's Afraid of Robert Crumb?'. Intended for adults and;
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30 poetry lessons for pupils at LBO- and MAVO-level by Lenny Bouman / illustrations by Jaap Vegter a;...
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Meet Rihana. She's a young child who's just been sent to bed. But trying to fall asleep proves to be more difficult than she has;
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Meet Rihana. She's a young child who's just been sent to bed. But trying to fall asleep proves to be more difficult than she has;
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Irene Schampaert en lifestylejournaliste Iris De Feijter maken het bont in Who's afraid of pink, orange & green? Dé;
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when the Apple was king and children resilient. California's Apple Blossom Trail is a heartfelt memoir for anyone who remembers a simpler;
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house. Unlike other books on this subject, The Art and Science of Book Publishing is distinguished by its conceptual approach, viewing the;
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This riveting book tells the tales of a new generation of medical students students who are not afraid to say what s on their mind, and;
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The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They;
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Conceptual art was a loose collection of related practices that emerged worldwide during the 1960s and 1970s. It continues to be relevant;
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book to The Snake Who Was Afraid of People.;
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This book examines the use of image and text juxtapositions in conceptual art as a strategy for challenging several ideological and;
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state-of-the-art, conceptual framework and is targeted for health education majors who seek careers in health education and to provide other;
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philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty;
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philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty;
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, philosophical, political, and geographical dimensions of Conceptual Art and conceptualism. These four essays and a conversation with Mary Kelly;
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doesn't like getting dirty and a frog who is afraid of the water.;
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disorder (OCD). It describes Jennys visits with her mother to a doctor. He notices that Jenny is afraid to stop tapping the wall with her fingers;
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is everywhere. Everyone is afraid of something. Our world is frightening, too. It's scary economically, politically, socially, you-pick-it scary;
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poisonous to the touch. But for Soraya, who has lived her life hidden away, apart from her family, safe only in her gardens, it's not just a;
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: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car;
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The role of photography in Belgian visual art. Conceptual, Surrealist, Pictorial is the first in-depth study of the use of photography by;
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in craftworks, and some less orthodox approaches-namely, conceptual art and several types of computer art. Her Introduction draws out the conceptual;
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