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Twentieth-Century Theatre

Twentieth Century Theatre: A Sourcebook is an inspired handbook of ideas and arguments on theatre. Richard Drain gathers together a;

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Dreams and Reconstruction: a Cultural History of British Theatre

A revised version of a cultural history of British theatre in the second half of the twentieth century;

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Theatre-Making

Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth;

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Theatre-Making

Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth;

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Makers of Modern Theatre

Who were the giants of the twentieth-century stage, and exactly how did they influence modern theatre? Robert Leach's Makers of Modern;

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Jacques Lecoq

This text offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training;

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Mendel's Theatre

Mendel's Theatre offers a new way of thinking about early twentieth-century American drama by uncovering the rich convergence of heredity;

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Mendel's Theatre

Mendel's Theatre offers a new way of thinking about early twentieth-century American drama by uncovering the rich convergence of heredity;

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A Critical Introduction to Twentieth-Century American Drama

In this, the third and final volume of his critical account of American drama in the twentieth century, Christopher Bigsby turns from the;

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Performing Hybridity in Colonial-modern China

In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre;

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Y Theatr Genedlaethol yng Nghymru

A volume of 5 studies which give an account of the national theatre companies that enriched the Welsh cultural scene during the twentieth;

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Jacques Copeau

fathers of twentieth-century French theatre. Along with Antoine and his own pupils Dullin and Jouvet, Copeau is known to have been instrumental;

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American Avant-Garde Theatre

Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth;

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Irish Women Playwrights 1900-1939

century as well as for those interested in women's work in theatre and in Irish theatre in the twentieth century.;

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One Night Stands

highly personal history of British theatre over two vital decades at the end of the twentieth century.;

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Make 'em Laugh!: A Golden Age of Theatre

In the early twentieth century theatre was the great escape in Ireland, whether drama, pantomime, farce or musical. Here, playwright;

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Jean Cocteau and the French Scene

portrait of the man, the artist and twentieth-century French culture;

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Etienne Decroux and His Theatre Laboratory

twentieth century: Mimo e teatro nel Novecento (1993). Now revised and updated, the volume focuses specifically on the seminal role played by French;

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A Critical Introduction to Twentieth-Century American Drama

theatre groups in twentieth-century America. In this century drama has emerged as one of the most exciting expressions of American creativity, and;

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Twentieth-Century Italian Drama

end of the 19th century to the aftermath of World War II, and includes a number of translations of plays never before published in English.;

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Theatre Performance & Hist Avant-garde

from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery;

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Performing Hybridity in Colonial-Modern China

In Shanghai during the early portion of the twentieth century, a hybrid theatrical form emerged that was based on Western spoken;

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Prisoner

of Great Britain, and Theatre for a New Audience in New York. 'The most pioneering theatre director of the twentieth century' Independent on;

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Modern British Drama

A revised and updated version of Modern British Drama, 1890-1990, now covering the whole twentieth century, this was the first one-volume;

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Modern British Drama

A revised and updated version of Modern British Drama, 1890-1990, now covering the whole twentieth century, this was the first one-volume;

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At Ease in a Bright Red Tie

during the most exciting and eventful decade in post-war twentieth-century British theatre - 1952-1962. Working-class characters were;

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