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Twentieth Century Actor Training

Actor training is arguably one of the most unique phenomenon of twentieth century theatre making. Here for the first time, the theories;

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Jacques Lecoq

This text offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training;

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Theatre

Michel Saint-Denis was one of twentieth century theatre's most influential directors and theorists. This book combines his seminal Theatre;

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Actor Training in Anglophone Countries

This book offers the perspective of a program leader, practitioner, and scholar of actor training. It appeals to theatre artists and;

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The Teaching of Kathakali in Australia

study will be of great interest to students and scholars of theatre and dance, intercultural actor training, practice-led research, and;

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Michael Chekhov

practitioner. They provide the first step towards critical understanding and a springboard for further study for students on twentieth century;

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Becoming an Actor

A practical guide to training as an actor, helping you get the most out of drama school - and survive in the world beyond. Are you;

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Max Reinhardt

trajectory of British publishing in the second half of the twentieth century.;

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Etienne Decroux and His Theatre Laboratory

in the theatre of the twentieth century: from the utopia of a 'pure' theatre, attributed to the sole essence of the actor, to its decline into a;

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Acting in the Academy

for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard;

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Stanislavsky in America

Stanislavsky in America explores the extraordinary legacy that Constantin Stanislavski's system of actor-training has left on acting in the;

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Smokescreen

An actor who plays a superstar detective in films is asked to go to South Africa to investigate the questionable training of race horses;

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Greek and Roman Actors

arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on;

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Greek and Roman Actors

arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on;

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Endless Crusade

careers as early-twentieth-century social activists, exploring the impact of their academic training and their experiences as professional women;

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The Actor, Image, and Action

The Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the;

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Teaching Actors

offer those involved in actor training a critical framework within which to think about their work. Prior, who brings to this volume more than;

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Essential Acting

actor training into a unique recipe which brilliantly combines the teachings of Stanislavski and Laban into an invaluable practical resource;

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Women in Teacher Training Colleges, 1900-1960

important educational institutions of the early twentieth century. The book provides an overview of the historical context of the development of the;

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The Natural Actor

Any student of acting must begin by reawakening his or her ability to play like a child. The Natural Actor focuses on stimulating this;

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So You Want To Be An Actor

about actor training, know the profession inside out and have more than a hundred years' experience between them... Writing alternately;

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The Stanislavsky Technique

It is virtually impossible to discuss modern acting or actor training without first mentioning the Russian thoerist and director Konstantin;

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Voice And The Young Actor

There are thousands of students enrolled in school drama classes and yet very often young actors cannot be heard, are culturally encouraged;

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Goethe, Volume 9

perspective for twentieth-century readers while showing how it defies categorization.;

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The Merchant of Venice

Editions. They are extremely actor-friendly and share the greatest thing to happen for Shakespearean actors at the end of this century, an;

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Shakespeare's Advice to the Players

'. An essential text for classical training at drama school and an invaluable reference book for actors and directors working on Shakespeare;

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