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Theatrical Translation and Film Adaptation

Translation and film adaptation of theatre have received little study. In filling that gap, this book draws on the experiences;

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Theatrical Translation And Film Adaptation

Translation and film adaptation of theatre have received little study. In filling that gap, this book draws on the experiences;

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Translation and Adaptation in Theatre and Film

is the first genuine attempt to discuss the rather loose usage of the concepts of translation and adaptation in terms of theatre and film. At the;

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Stage-Play and Screen-Play

II to F.W. Murnau's silent Tartuff, Peter Bogdanovich's film adaptation of Michael Frayn's Noises Off, and Akiro Kurosawa's Ran, highlighting;

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Adaptation and Appropriation

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or;

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Adaptation and Appropriation

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or;

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Theatre Translation

Translation for the theatre is often considered to hold a marginal status between literary translation and adaptation for the stage. As a;

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Adapting Translation for the Stage

that adaptation and translation can - and do - coexist on stage. Chronicling the many possible intersections between translation theory and;

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Adapting Translation for the Stage

, destabilising the literal/performable binary to suggest that adaptation and translation can - and do - coexist on stage. Chronicling the many;

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The Translator on Stage

authorship of the English text by a well-known local theatre specialist, and the absence of the term 'translation'-generally in favour of 'adaptation;

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The Red Balloon

Anthony Clark's award-winning adaptation of Albert Lamorisse's Fifties French film, The Red Balloon, follows the adventures of a lonely;

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Adaptation Studies and Learning

collaboration and social interaction lies at the heart of successful film adaptations.By looking beyond the classroom, Raw and Gurr;

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What is Cultural Translation?

What Is Cultural Translation? In this book, Sarah Maitland uncovers processes of negotiation and adaptation closely associated with the;

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Political Adaptation in Canadian Theatre

, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian;

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Political Adaptation in Canadian Theatre

, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian;

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Theatre to Cinema

theatre early film-makers borrowed or adapted, and the ways specific characteristics of cinema inflected these borrowings. Rather than simply;

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Shakespeare and Music

, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely;

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Adapting Nineteenth-Century France

study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from;

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Adapting Nineteenth Century France

study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from;

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Screening the Royal Shakespeare Company

No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company;

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Britannicus

. Timberlake Wertenbaker's translation premiered at Wilton's Music Hall, London, in October 2011. 'Anexcellent new translation.' Guardian;

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The Art of Adapting Victorian Literature, 1848-1920

twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird's juxtaposition;

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The Art of Adapting Victorian Literature, 1848-1920

twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird's juxtaposition;

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Marivaux: Two Plays

translation by Braham Muray and Katherine Sand was first performed at the Royal Exchange Theatre, Manchester in 2007. In The Game of Love and Chance;

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When Stories Travel CrossCultural Encounters between Fiction and Film

but across different cultures. In this book, Della Coletta explores what it means when the translation of fiction into film involves writers;

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Remembrance of Things Past

memories of childhood and Parisian society before and during the First World War. This new adaptation is based on Harold Pinter's screenplay;

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Translation and Rewriting in the Age of Post-Translation Studies

media and forms. Drawing on traditional translations, post-translation rewritings and other forms of creative adaptation, he examines the;

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