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Theatrical Performance During the Holocaust

Documents the surprising vitality of Jewish theater and other entertainment under the Third Reich in German cities, Eastern European;

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The Polish Theatre of the Holocaust

theatrical ideas during work on productions that addressed the subject of the Holocaust, Grotowski's Poor Theatre and Kantor's Theatre of Death, but;

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The Theatre of the Holocaust v. 1; Four Plays

This first volume of The Theatre of the Holocaust , when combined with the second, represents an international collection of plays on;

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Performing Knowledge, 1750-1850

performance of knowledge in the period from 1750 to 1850, in the broadest possible sense. The essays explore a wide variety of literary, theatrical;

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Staging Romantic Chameleons and Imposters

, mystified, and captivated the British public. Georgian dramatists created self-consciously theatrical characters who used performance to reinvent;

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Shakespeare and the Cultures of Performance

Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal;

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Shakespeare, Performance and the Archive

politics of visible and invisible theatrical labour to trace the persistence of performance. In this fascinating volume, Hodgdon considers how;

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Shakespeare, Performance and the Archive

politics of visible and invisible theatrical labour to trace the persistence of performance. In this fascinating volume, Hodgdon considers how;

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Women in British Romantic Theatre

, critics and managers who worked in British theatre during the romantic period. Focusing on women well known during their day but neglected for;

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Performing The American Frontier, 1870-1906

Performing the American Frontier, 1870-1906 examines how the American frontier was presented in theatrical productions during the critical;

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The Theatrical Event

The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator;

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Theatre Censorship in Britain

This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain;

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Oedipus The King

Presents a new version of the Greek classic drama as adapted for a modern theatrical performance.;

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Children During the Holocaust

Children during the Holocaust, from the United States Holocaust Memorial Museum's Center for Advanced Holocaust Studies, tells the story;

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Women in British Romantic Theatre

, critics and managers who worked in British theatre during the romantic period. Focusing on women well known during their day but neglected for;

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Nabokov's Theatrical Imagination

Drawing on a wealth of unpublished archival material, this study offers a comprehensive assessment of the importance of theatrical;

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Nabokov's Theatrical Imagination

Drawing on a wealth of unpublished archival material, this study offers a comprehensive assessment of the importance of theatrical;

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The Theatre of the Holocaust v. 2; Six Plays

This second volume of The Theatre of the Holocaust , when combined with the first, represents an international collection of plays on;

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The Semiotics of Theatre and Drama

of theatrical performance, one of our richest and most complex forms of communication. Elam traces the history of semiotic approaches to performance;

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Semiotics Of Theatre And Drama

of theatrical performance, one of our richest and most complex forms of communication. Elam traces the history of semiotic approaches to performance;

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Holocaust in Lithuania 1941-1945

during the Holocaust, together with an extensive collection of historical resources.;

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Theatre in the Berlin Republic

intersection of culture and politics during and after German reunification and the evolution of the Berlin Republic. The book considers how canonical;

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Performing Hybridity in Colonial-Modern China

In Shanghai during the early portion of the twentieth century, a hybrid theatrical form emerged that was based on Western spoken;

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Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood

theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to;

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Performing Gods in Classical Antiquity and the Age of Shakespeare

complexities of mortals playing gods but also the nature of theatrical spectacle itself. The very impossibility of rendering the gods in all their;

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Shakespeare Expressed

Sixth Blackfriars Conference, held in October 2011, the essays focus on Shakespeare in performance by including work from scholars, theatrical;

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Shakespeare Expressed

Sixth Blackfriars Conference, held in October 2011, the essays focus on Shakespeare in performance by including work from scholars, theatrical;

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