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Theatre in Dublin,1745-1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that;
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Corcadorca Theatre Company at the Triskel Arts Centre, Cork, in September 1996, and subsequently at the 1996 Dublin Theatre Festival. It received its;
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performed during Shirley's stay in Dublin in the years 1637-40. Shirley, one of the most prominent and successful London playwrights of the previous;
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? Beiv, a celebrated artist, has moved from suburban Dublin to her holiday cottage on an island off the coast of West Cork. But a dark shadow;
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gone horribly and terrifyingly wrong. bedbound was first performed at The New Theatre, Dublin, as part of the Dublin Theatre Festival;
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introduction to the most important poets in our literature. Jonathan Swift (1667-1745) was born in Dublin, of English parents, and educated at Trinity;
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chorus of voices showing three generations of a Dublin family on one day. Intimate and sweeping, joyous and ridiculous, it's modern-day;
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round in support. But good intentions can easily go too far... Stacey Gregg's play Shibboleth premiered at the Abbey Theatre, Dublin, as;
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Jonathan Swift (1667-1745) was born in Dublin and studied at the city's Trinity College. He gained his B.A. in 1686 before going to England;
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-century London and Dublin theatre, opera, and music scenes.;
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-century London and Dublin theatre, opera, and music scenes.;
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A magical, compelling play from the author of The Weir. Present day Dublin. Christmas Eve. Undertaker John Plunkett is sharing;
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published by Methuen Drama. The six plays in the volume are: Gerald Murphy: Take Me Away (2004) Gerald Murphy is a Dublin based writer and actor;
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women in nineteenth-century New England did not, according to Thomas Dublin. Sketching engaging portraits of women's experience in cottage;
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was first performed at Theatre 503, London, in 2013 Written for the 2012 Dublin Theatre Festival, and previously unpublished, The Boys of Foley;
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playwrights whilst challenging those of their English opponents. The magazine mainly consists of a series of essays on the theatre in Dublin, and;
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slave and her emancipator come together in 1840s Dublin. As they interact, each is revealed to be rather less high-minded than they would like;
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playwrights whilst challenging those of their English opponents. The magazine mainly consists of a series of essays on the theatre in Dublin, and;
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