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Theatre and Postcolonial Desires

This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism;

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Theatre and Postcolonial Desires

and Postcolonial Desires will be essential reading for students and researchers in the areas of drama, postcolonial and cultural studies.;

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Indonesian Postcolonial Theatre

Indonesian Postcolonial Theatre explores modern theatrical practices in Indonesia from a performance of Hamlet in the warehouses of Dutch;

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The Postcolonial World

Postcolonial Desires Religious Imaginings Postcolonial Geographies and Spatial Practices Human Rights and Postcolonial Conflicts Postcolonial;

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Syncretic Arenas: Essays on Postcolonial African Drama and Theatre for Esiaba Irobi

postcolonial government policies and the mutations of drama and theatre (and critical commentary); the tensions inherent in postcolonial conceptions;

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The Bloomsbury Introduction to Postcolonial Writing

Covering a wide range of textual forms and geographical locations, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New;

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Postcolonial Plays

Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information;

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Postcolonial Plays

Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information;

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Theory/Theatre

approaches, from semiotics, poststructuralism, through cultural materialism, postcolonial studies and feminist theory. This new edition includes;

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Literary Radicalism in India

in studies of postcolonial India. Through readings of major fiction, pamphlets and cinema, this book also shows how gender was of constitutive;

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Literary Radicalism in India

in studies of postcolonial India. Through readings of major fiction, pamphlets and cinema, this book also shows how gender was of constitutive;

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Modern Irish Theatre

, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and;

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Modern Irish Theatre

, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and;

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Hedda Gabler

marriage and life devoid of excitement, Hedda strives to find a way to fulfill her desires by manipulating those around her. This version opened at;

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Mapping Global Theatre Histories

European performances, global indigenous rituals, early modern to postmodern Euro-American developments, worldwide postcolonial theatres, and the;

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Indian Classical Dance and the Making of Postcolonial National Identities

Indian Classical Dance and the Making of Postcolonial National Identities explores what happens when a national-cultural production;

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Prohibido Suicidarse en Primavera

Casona, always critical of society's downsides, uses the theme of suicide as the central focus of his theatre production: the happiness and;

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Coloniality, Ontology, and the Question of the Posthuman

This book brings together emerging insights from across the humanities and social sciences to highlight how postcolonial studies are being;

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Coloniality, Ontology, and the Question of the Posthuman

This book brings together emerging insights from across the humanities and social sciences to highlight how postcolonial studies are being;

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Ramon Griffero

Contains the plays Your Desires in Fragments, Cups of Wrath, Midday Lunches or Petit Dejeuner du Midi, Sebastopol (Desert Times;

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Unfaithful

two tangled relationships, the unspoken desires, the piercing regrets, and the postponed conversations. Owen McCafferty's Unfaithful;

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Codes and Masks

O'Kelly, and Stewart Parker. While drawing on the recent results of Irish scholarship, the essays deploy a choice of postcolonial, cultural;

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Archaeology and Religion in Early Northwest India: History, Theory, Practice

This book explores the ways in which past cultures have been used to shape colonial and postcolonial cultural identities. It provides a;

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Partial Histories

over gaps and biases in the archive while reflecting back modern desires and methodologies. The Colley Cibber 'everybody knows' has been variously;

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The Cultural Politics of Sugar

commodity, and its real and imagined properties functioned as central metaphors for the cultural desires of West Indian Creoles. Sandiford's 2000;

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The Cultural Politics of Sugar

commodity, and its real and imagined properties functioned as central metaphors for the cultural desires of West Indian Creoles. Sandiford's 2000;

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No Romance

desires we reveal - and don't reveal - in our closest relationships. No Romance was first staged at the Abbey Theatre, Dublin, in 2011.;

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