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The Social Production of Art

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Art and Production

Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a;

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Art, Memory, and Family in Renaissance Florence

Art, Memory and Family in Renaissance Florence examines the relationship between the production of objects and the production of memory and;

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The Social Production of Art

This book has been a standard text for cultural studies and the sociology of art since its first appearance in 1981. It provides a clear;

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Art, Critical Pedagogy and Capitalism

This book offers a re-examination of art production in terms that understand the process of learning as the production of art itself;

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Art, Critical Pedagogy and Capitalism

This book offers a re-examination of art production in terms that understand the process of learning as the production of art itself;

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Anthropology Art & Cultural Produc

This book provides an introduction to anthropological perspectives on art. Svasek defines art as a social process. We study not only the;

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Art and Multitude

relates artistic production to the structures of social production characteristic of each historical era. This enables him to define the nature;

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Art and Multitude

relates artistic production to the structures of social production characteristic of each historical era. This enables him to define the nature;

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Art Markets in Europe, 1400-1800

objects purchased by various social groups; the conditions of artistic creativity and communication between different production centres and;

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Sociology of Art

: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social;

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Sociology of Art

: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social;

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The Making of Goddess Durga in Bengal Art Heritage and the Public

of production' of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage;

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Manifesta 9

different layers of art history, cultural heritage, and contemporary culturalproduction. It also raises questions about the enduring;

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Art and Patronage in the Medieval Mediterranean

styles, demonstrating the erosion of its autonomy. Originally published in 2004, this book evaluates the Amalfitan art production in terms;

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Art and Patronage in the Medieval Mediterranean

styles, demonstrating the erosion of its autonomy. Originally published in 2004, this book evaluates the Amalfitan art production in terms;

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A Return to the Object

presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its;

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A Return to the Object

presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its;

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Becoming Art

social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws;

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The Interrelation of Phenomenology, Social Sciences and the Arts

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social;

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The Interrelation of Phenomenology, Social Sciences and the Arts

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social;

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Artists and Artistic Production in Ancient Greece

ancient Greek world. In Artists and Artistic Production in Ancient Greece, art historians, archaeologists, and historians explore the roles and;

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Art and the State: The Visual Arts in Comparative Perspective

in the United States with art policies in Britain and in the social democratic states of Norway and Sweden. In addition, it analyzes revealing;

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Framing the Audience

impact that changes in art appreciation had on the broader political, social, cultural, and artistic landscape. Framing the Audience argues;

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Social Production Of Art 2 E Pb

literary and media studies, to explain the social nature of the arts, their production, distribution, and reception. This second edition is the;

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Art In The Service Of Colonialism

arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production;

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Making Value, Making Meaning - Techné in the Pre-Columbian World

understanding how the production process created value and meaning for social valuables and public monuments in complex societies in pre-Columbian;

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