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The Sage in Harlem H. L. Mencken and the Black Writers of the 1920s

Originally published in 1984. The Sage in Harlem establishes H. L. Mencken as a catalyst for the blossoming of black literary culture;

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A Second Mencken Chrestomathy

Before there was any such thing as political correctness, H. L. Mencken was flouting it. He was also cheerfully deriding the precursors;

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Mencken'S Autobiography

-Five Years of Newspaper Work, Minority Report, and A Second Mencken Chrestomathy. In the third volume of his autobiography, H. L. Mencken;

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The Collected Drama of H. L. Mencken

In The Collected Drama of H. L. Mencken: Plays and Criticism, S. T. Joshi has assembled for the first time Mencken's dramatic works;

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Vicious Modernism

Harlem, a quintessentially black city in the midst of a great modern metropolis, has piqued the imagination of writers and artists since;

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Black Manhattan

skills of the historian, social scientist, and the reporter to trace the New York black experience from the earliest settlements on Chatham;

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The Sage of Sugar Hill - George S.Schuyler and the Harlem Renaissance

of the Harlem Renaissance. A popular journalist in black America, Schuyler wielded a sharp, double-edged wit to attack the foibles of both blacks;

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The Nadir and the Zenith

of all New Negro prose writers and the number of novels they published during the height of the Harlem Renaissance in the 1920s. ;

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The Nadir and the Zenith

of all New Negro prose writers and the number of novels they published during the height of the Harlem Renaissance in the 1920s. ;

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The Black Chicago Renaissance

discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a;

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Black Women Poets of Harlem Renaissance

, Countee Cullen and W.E.B. DuBois. The women poets of this movement are either deliberately or inadvertently omitted or ignored. Black Women Poets;

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The American Language, Second Edition

A new, completely revised and much extended edition of H. L. Mencken's well-known work first issued in a limited edition as a "preliminary;

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The Sleeper Wakes

as they were in the 1920s and 1930s. In them, we find the themes of black and white racial tension and misunderstanding, economic deprivation;

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Rhapsodies in Black

of this century. Rhapsodies in Black: Art of the Harlem Renaissance examines the cultural reawakening of Harlem in the 1920s and 1930s as a;

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Miss Anne in Harlem

, experimentation, and passionwith Harlem at the epicenter. White men could go uptown to see jazz and modern dance, but women who embraced black culture too;

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The Novels of the Harlem Renaissance

color in the works of twelve black writers of the Harlem Renaissance.;

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Teaching Jean Toomer's 1923 Cane

of Ouspensky, H. L Mencken s critical work, The Paris Brotherhood, and -Saccaharum officinarum-G.- Like the lunar arcs dividing Cane, the book works;

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Communists in Harlem during the Depression

of Harlem in the 1920s and 30s, at the high point of its influence and pride.;

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Treatise On The Gods

With a style that combined biting sarcasm with the language of the free lunch counter, Henry Louis Mencken shook politics and politicians;

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Harlem Crossroads

The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the;

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Hoopla in Harlem!

Harlem once glittered as one of the world's most vivid entertainment centers during the 1920s and 1930s. Nightlife revolved around The;

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Middletown in Transition

, Muncie, Indiana -- using the approach of social anthropology. The initial volume was published in the mid-1920s, when H. L. Mencken called it one;

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The Harlem Renaissance

were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to;

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The Harlem Renaissance in Black and White

Harlem Renaissance-or blamed for corrupting it-George Hutchinson transforms our understanding of black (and white) literary modernism;

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The Harlem Renaissance in Black and White

Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism;

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