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The Renaissance Epic and the Oral Past

This book explores why Renaissance epic poetry clung to fictions of song and oral performance in an age of growing literacy. Sixteenth- and;

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Singing the Past

in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song: the;

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Voices and Books in the English Renaissance

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance;

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Voices and Books in the English Renaissance

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance;

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Serbocroatian Heroic Songs - Bijelo Polje - Three Texts from Avdo Mededovic

whether and exactly how the text of a long epic would change as the best of oral poets told and retold it, Milman Parry first made a complete;

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The Oral Epic

This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic;

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The African Epic Controversy

of oral composition, oral poetics, the nature and role of music in epic performance, the concept of heroism in African epic poetry, and how it;

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History and Warfare in Renaissance Epic

history of warfare to this study of the epic. Analyzing English, Italian and Iberian epics published between 1483 and 1610, Murrin focuses on;

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History and Warfare in Renaissance Epic

history of warfare to this study of the epic. Analyzing English, Italian and Iberian epics published between 1483 and 1610, Murrin focuses on;

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Written Voices, Spoken Signs

audience perception of oral poetry. Key concepts for the understanding of traditional epic poetry are rethought, and the epic performer's use;

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The Singer of Tales

of oral epic poetry. Based upon pathbreaking fieldwork conducted in the 1930s and 1950s among oral epic singers of Bosnia, Croatia, and Serbia;

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Allegory and Epic in English Renaissance Literature

for and displace epic throughout the sixteenth and seventeenth centuries. Borris offers a fresh approach to the interaction of allegory with;

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Allegory and Epic in English Renaissance Literature

for and displace epic throughout the sixteenth and seventeenth centuries. Borris offers a fresh approach to the interaction of allegory with;

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Archaeology and the Homeric Epic

audiences, the construction and uses of 'history' as traceable through both epic and archaeology and the relationship between 'prehistoric' (oral;

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The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso

In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance;

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Short Epics

of Vergil's Aeneid, Vegio's famous continuation of the Roman epic, which was extremely popular in the later Renaissance, printed many times and;

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Routledge Revivals: Turkic Oral Epic Poetry (1992)

Originally published in 1992, Turkic Oral Poetry provides an expert introduction to the oral epic traditions of the Turkic peoples;

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Homer and the Oral Tradition

largely different. He considers in particular the nature of oral and epic poetry, and the meaning of an oral tradition. There are problems here;

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Epic Traditions in the Contemporary World

scholarship on contemporary epics from various parts of the world, these essays cross the divide between oral and literary forms that has long marked;

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Roman Epic

Roman epic is both index and critique of the foundational culture of the western world. It is one of Europe's most persistent and;

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Teaching the Italian Renaissance Romance Epic

The Italian romance epic of the fifteenth and sixteenth centuries, with its multitude of characters, complex plots, and roots in medieval;

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Routledge Revivals: Turkic Oral Epic Poetry (1992): Traditions, Forms, Poetic Structure

Originally published in 1992, Turkic Oral Poetry provides an expert introduction to the oral epic traditions of the Turkic peoples;

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Oral History in Southeast Asia

Using the presence of the past as a point of departure, this books explores three critical themes in Southeast Asian oral history: the;

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World of the Khanty Epic Hero-Princes

dossier of the genre of oral heroic epic poetry in a specific culture, and presents an abundance of new information to compare with better-known;

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Comparative Literature and Classical Persian Poetics

and performing poetry and song. Olga M. Davidson focuses on epic, especially the classical epic Shahnama, composed in the early eleventh;

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Eros, Imitation and the Epic Tradition

patterns, and in major generic forms, as in the combination of tragic with epic models.;

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Oral and Literary Continuities in Modern Tibetan Literature

, the mgur genre, life-writing, the Gesar epic and other modes of oral and literary compositions are referenced and adapted in novel ways within;

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