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The Play and Place of Criticism

Originally published in 1967. In The Play and Place of Criticism, Professor Krieger addresses basic questions related to criticism in the;

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Richard II

dynamics of the play, the play in the theatre, the psychology of its characters, and its poetry and rhetoric. Bringing together the best that;

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The Winter's Tale

has defended the structure of the play and this work shows that the evidence points to the fact that Shakespeare took infinite pains with the;

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Julius Caesar

works. Set in the tumultuous days of ancient Rome, this play is renowned for its memorable characters and political intrigue, and it has been;

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Hamlet

structuralist or feminist criticism raise? What issues are foregrounded by contemporary critics and how do these challenge our understanding of the play;

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Shakespearean Criticism

present critical overviews of each play and feature criticism from the 17th century to the present.;

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Pinter In Play

Pinter in Play provides a survey of diverse readings of the Harold Pinter canon organized around and presented in terms of the major;

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The Merchant of Venice

the play and new ways of thinking about their own practice as critics. The collection offers a spectrum of the more recent writings on the;

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The Merchant of Venice

the play and new ways of thinking about their own practice as critics. The collection offers a spectrum of the more recent writings on the;

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Euripides

Accessible introductions to ancient tragedies discuss the main themes of a play and the central developments in modern criticism, while;

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Henry VI

This collection of original essays provides a selection of current criticism on the Henry VI plays. Topics addressed will include feminist;

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Shakespeare For Students

Here are attractive and accessible volumes of essential criticism of the playwright's most popularly studied plays in secondary schools and;

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Shakespeare's King Lear

complete textual and critical histories of each line of the play, along with extensive essays on criticism, sources, stage history, and more;

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Textual Criticism and Middle English Texts

This text examines the textual and cultural factors that distinctively characterise Middle English and reveals the role these factors play;

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The Shakespeare Play as Poem

The dominant trend in the criticism of Shakespeare since the late 1920s has been the interpretation of the plays as dramatic poems. Dr;

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Two Gentlemen of Verona

in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the;

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Visual Perversity

Euripides'Bacchae, Colridge's Christabel, de Sade'sPhilosophy in the Bedroom, and Hitchcock'sPsycho share a common thread. InVisual;

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King John

This volume documents the course of Shakespeare criticism on King John , from the earliest items of recorded criticism to the beginnings;

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Two Gentlemen of Verona

in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the;

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Poetics of Change

, and novelist in his own right-the act of criticism becomes profoundly creative, his incisive readings of the text far transcending the;

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Space, Place and Poetry in English and German, 1960-1975

Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape;

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Space, Place and Poetry in English and German, 1960-1975

Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape;

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King Lear

King Lear occupies a special place in the Shakespearean canon. Lear's descent into madness, the central event of this play, illustrates the;

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Harry's Homilies

misrepresented, both in performance and in criticism. This edition offers a fresh perspective on this ironic, multi-layered, collaborative play.;

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Shakespeare

criticism as well as an article by the editor on the play in performance.;

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Futures of Education

Public education has received increasing criticism since the beginning of the nineties. Four major areas of concern can be discerned: the;

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Love Doesn't See Our Color

misrepresented, both in performance and in criticism. This edition offers a fresh perspective on this ironic, multi-layered, collaborative play.;

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