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The Performative Ground of Religion and Theatre

phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding;

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The Performative Ground of Religion and Theatre

phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding;

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Theatre Translation

Translation for the theatre is often considered to hold a marginal status between literary translation and adaptation for the stage. As a;

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Theatre, Sacrifice, Ritual

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme;

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Visual Experiences in Cinquecento Theatrical Spaces

Visual Experiences in Cinquecento Theatrical Spaces explores the performative aspects of early modern theatre architecture and design;

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Religion Ritual Theatre

the international and interdisciplinary conference Religion, Ritual, Theatre which took place in April 2006 at the University of Copenhagen;

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Theatre Censorship in Britain

This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain;

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The Early Modern Corpse and Shakespeare's Theatre

Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's;

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Performing Age In Modern Drama

This book is the first to examine age across the modern and contemporary dramatic canon, from Arthur Miller and Tennessee Williams to Paula;

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J.L. Austin's Concept of 'Performative Word'

word, and to be analyzed in the context of sacramental theology and the Igbo traditional religion, and then to give this concept a pastoral;

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The Speech-Gesture Complex

This book places the performative gesture at the centre of debate between literature, theatre and cinema. This new study examines the;

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Performing Copyright

proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to;

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The Dramaturgy of Commedia dell'Arte

This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and;

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Theatre and Citizenship

and the active engagement of a citizen, paying special attention to dramatists like Aristophanes, Machiavelli and Rousseau who have translated;

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Theatre and Citizenship

and the active engagement of a citizen, paying special attention to dramatists like Aristophanes, Machiavelli and Rousseau who have translated;

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Rethinking Religion in the Theatre of Grotowski

This book opens a new interdisciplinary frontier between religion and theatre studies to illuminate what has been seen as the religious, or;

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Queer Notions

This collection is a record of some of the most important performative ideas and embodied interventions that have shaped queer culture and;

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Theatre in the Berlin Republic

intersection of culture and politics during and after German reunification and the evolution of the Berlin Republic. The book considers how canonical;

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The Performance of Religion

. The Performance of Religion: Seeing the sacred in the theatre treads new ground in bringing performance and religious studies scholarship into;

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The Performance of Religion

. The Performance of Religion: Seeing the sacred in the theatre treads new ground in bringing performance and religious studies scholarship into;

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Communication and the Global Landscape of Faith

In light of more recent conversations about religion and its import as a factor in the global geopolitical and cultural spheres, augmented;

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Dramatherapy and Social Theatre

Dramatherapy and Social Theatre: Necessary Dialogues considers the nature of drama, theatre and dramatherapy, examining how dramatherapy;

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Japan's Modern Theatre

This book endeavours to unravel the complicated skeins of Japanese theatre in the modern period and offers an appreciation of the richness;

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Materializing Religion

values and faith of a religion, but leave out the 'incarnation' of religion in the behavioural, performative, or audio-visual form. This book;

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Cambridge Studies in Nineteenth-Century Literature and Culture

After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the;

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Cambridge Studies in Nineteenth-Century Literature and Culture

After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the;

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Women And Dramatic Production, 1550-1725

exclusion from professional theatre. Women and Dramatic Production 1550-1700 challenges this view and breaks new ground in arguing that, far from;

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