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always challenged the way films are created, released and viewed. The History of Independent Cinema presents an extraordinary journey that;
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This undergraduate textbook examines American independent cinema from the very beginnings of US cinema and includes chapters on;
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the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics;
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independent cinema has produced some of the most distinctive films ever made. This comprehensive introduction draws on key films, filmmakers, and film;
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James Friedrich and Cathedral Films: The Independent Religious Cinema of the Evangelist of Hollywood, 1939-1966 looks at the religious sub;
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development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while;
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organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing;
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subdivisions, American independent cinema has undergone several incarnations since its emergence as a politically charged underground movement in the;
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This third volume of the successful Directory of World Cinema series to focus on American independent filmmaking presents in-depth essays;
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Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new;
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of how affective immersion in cinema works to engage viewers with history, memory and cultural specificity, it deals with both fiction film and;
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Examining post-1990s Indie cinema alongside more mainstream films, Brereton explores the emergence of smart independent sensibility and how;
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American independent cinema has been an important creative and cultural media entity for the past fifteen years. The approach of this;
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relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the;
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experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides;
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experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides;
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examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian;
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examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian;
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approach the topic from a variety of angles, covering genre, art and commercial films; independent productions; blockbuster cinema; and Finnish;
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of multicultural or diasporic cinema and ignoring Asian-Australian connections prior to the revival. Transnational Australian Cinema charts a history;
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The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience;
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of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business;
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to do research in the field of Turkish cinema. It comprises two parts, a bibliography and a study on the history of Turkish cinema. With;
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technology in both popular blockbusters and independent art films from mainland China, Taiwan, Hong Kong, and the Chinese diasporas. The contributors;
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Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde;
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Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off;
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Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off;
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